Thun der!
Thun der!
Thun der!
Thun der!
I was caught
in the mid dle of the rail road track.
Thun der!
I looked ’round
and I knew there was no turn in’ back.
Thun der!
My mind raced and I thought what could I do.
Thun der!
And I knew
there was no help, no help from you.
Thun der!
Sound of the drums
beat in’ in my (B5)heart.
The thun der of (B5)guns
tore me a (B5)part.
You’ve been
thun der struck!
Rode down the (B5)high way, broke the lim it, we hit the town.
Went through to Tex as, yeah, Tex as, and we had some fun.
We met some girls,
some danc ers who gave a good time.
Broke all the rules, played all the fools.
Yeah, yeah, they, they, they blew our minds.
(CN.C.)And I was shak in’ at the knees.
(CN.C.)Could I come a gain please?
(CN.C.)Yeah, the la dies weren’t too kind.
(CN.C.)You’ve been
thun der (B5)struck!
Thun der (B5)struck!
(A5)Yeah, yeah, (E5)yeah, thun der (B5)struck!
Thun der (B5)struck!
Well, I’m (B5)shak in’ at the knees.
Could I come a gain please?
Ah,
ah.
Ah,
ah.
Thun der (B5)struck!
Thun der (B5)struck!
(A5)Yeah, yeah, (E5)yeah, thun der (B5)struck!
Thun der (B5)struck!
(A5)Yeah, yeah, (E5)yeah, said (B)yeah, it’s al (E)right.
(B)We’re do in’ (E)fine.
(B)yeah, it’s al (E)right.
(B)We’re do in’ (E)fine.
Thun der (B5)struck!
Thun der (B5)struck!
Thun der (B5)struck!
Thun der (B5)struck!
(A5)You’ve been (E5)thun der (B5)struck!
This page shows “Thunderstruck” by AC/DC in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of B at 146 BPM, a slightly more challenging arrangement — practice each phrase slowly first.
This arrangement will push your hand independence hard — your left hand locks into a pedal bass pattern that drives relentlessly at 146 BPM, while your right hand punches through a mix of power chords and fuller shapes like A, B, and E. The power chords (Bpow, Epow, Dpow, Apow) sit comfortably under your fingers once you nail the shapes, but switching between those open fifths and the standard chord voicings mid-phrase is where most students stumble. Start hands-separate at around 90 BPM and resist the urge to speed up before your left-hand pedal tone feels automatic — it needs to be on autopilot so your brain can focus on the right-hand rhythm hits. Loop the transitions between B and E sections until they're clean, because that's where timing falls apart at full tempo. Once you've got it, you'll have real rock-keyboard stamina and the kind of locked-in rhythmic drive that transfers to dozens of other high-energy tracks.