These (Dm7)eyes
cry you ev bring ’ry my (Cmaj7)night
for an you.
These (Dm7)arms
long not to (Cmaj7)hold you
a (C)gain.
The hurt in’s on me,
but I will nev er be free.
You gave a prom ise to me
and you broke it,
and you broke it.
These (Dm7)eyes
watched you ev bring ’ry my (Cmaj7)world
to an end.
This (Dm7)heart
could not ac (Cmaj7)cept and
pre (C)tend.
The hurt in’s on me,
but I will nev er be free.
You took the vow ise with me
when you spoke it,
when you spoke it.
These it.
These eyes
are cry in’.
These eyes have (Cmaj7)seen a lot of love, but they’re nev er gon na see an oth er one like I had with (D)you.
These eyes
are cry in’ These eyes have (Dmaj7)seen a lot of love, but they’re nev er gon na see an oth er (E)one like I had with you.
These eyes
are cry in’.
These eyes have (Emaj7)seen a lot of love, but they’re nev er gon na see an oth er one like I had with (F#)you.
These it.
This page shows “These Eyes” by The Guess Who in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of C at 96 BPM, a comfortable easy-level arrangement perfect for first-time learners.
This arrangement is a great way to get comfortable with seventh chords — you'll move through maj7, dominant 7, and minor 7 shapes, which gives your fingers real variety even at a gentle 96 BPM. Your left hand plays an oompah bass pattern, alternating a low root note with a mid-range chord chunk, so lock that rhythm in early by practicing it alone until it feels automatic. The trickiest spots come when you shift into the sharps — transitions around Dmaj7, Emaj7, and F# will feel unfamiliar if you've mostly played in C, so loop those passages slowly until the hand positions click. Watch your right hand during those same sections; keep your fingers close to the keys to avoid scrambling. Once the left hand is steady, layering the melody on top becomes surprisingly natural. This is the piece that'll make seventh-chord voicings feel like second nature to you.