We (Ab)lay on (Bbm)tow ers, on (Bbm)rent ed time.
I’m (Ab)yours for (Bbm)hours;
you’re al ways mine.
All (Ab)things ex (Bbm)pire.
I know (Bbm)you won’t (Ab)stay.
But I (Ab)seem to in (Bbm)spire
you to (Ab9sus)say,
say that you (Db)love me, say I’m all you need.
In the back of my (Db)mind I know I’m tem po rar y.
You’re (Bbm)hold ing me for the night, for some plea sure.
If that’s all we (Bbm)are, know I’ll (Eb)al ways be a vis i tor, mm,
in your arms.
It’s (Ab)in my (Bbm)na ture to be (Bbm)cyn i cal.
I want (Ab)to be re (Bbm)mem bered, so I (Ebm)get hys ter i (Ab7sus)cal.
I (Ab)wan na be the (Bbm)one thing, some’ (Bbm)spe cial to (Ab)you.
Say you (Ab)won’t for (Bbm)get me.
But you al ways (Ab9sus)do.
Then say that you (Db)love me, say I’m all you need.
In the back of my (Db)mind I know I’m tem po rar y.
You’re (Bbm)hold ing me for the night, for some plea sure.
If that’s all we (Bbm)are, know I’ll (Eb7)al ways be a vis i tor, mm,
in your arms,
in your arms,
(Ebm7)in your arms.
Say that you (Db)love me, say I’m all you (Bbm)need.
In the back of my (Db)mind I know I’m tem po rar y.
You’re (Bbm)hold ing me for the night, for some plea sure.
If that’s all we are, (Bbm)know I’ll (Eb7)al ways be a vis i tor.
(Gbm)Know,
know I’ll (Ebm7)al ways (Db)be a (Gbmaj9)vis i tor
in your arms.
This page shows “The Visitor” by Sienna Spiro in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Gb at 120 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement sits in Gb major, which means your hands will live almost entirely on black keys — and that's actually a gift, because the natural curve of your fingers fits black-key patterns beautifully once you relax into it. At 120 BPM the rhythm moves at a steady clip, so start at around 80 BPM and lock in each hand separately before combining them. Your left hand will likely handle chord shapes built on Gb, Db, Ebm, and Cb, so drill those transitions slowly until the jumps feel automatic — the Ebm to Cb shift tends to catch people off guard. In your right hand, watch for any syncopated melodic phrases that land just off the beat; count subdivisions out loud if you need to. Use sustain pedal to connect chords smoothly, but change it cleanly with each new harmony or you'll get muddy overlap. Loop any four-bar section that trips you up at least ten times before moving on. This is a fantastic piece for building real confidence with flat-heavy keys, and once Gb feels like home under your fingers, you'll approach other sharp or flat keys with much less hesitation.