All of these lines a cross my face
it’s tell you the sto ry of who I am.
And So man y the sto ries I of where I’ve been
and and how I got to where I a am.
Oh, But these e (B)sto ries don’t mean (F#7)an y thing when you’ve (G#m)got no one like to (E)tell them to it’s (B)true.
And (F#7)I was made for (B)you.
I climbed a cross the moun tain tops,
it’s swam all a cross the o cean come blue.
And I crossed all the lines and I broke all the rules,
and ba by I broke them all for a you.
Oh, be cause e (B)they don’t when was (F#7)I flat broke
you (G#m)made me feel what a (E)mil lion bucks, you (B)do.
And (F#7)I was made for (B)you.
I climbed a cross (B)you.
You see the smile (B)you.
All of these (B)lines a cross my face
tell you the sto ry of who I am.
So man y sto ries of where I’ve been
and how I got to where I am.
Oh, but these (B)sto ries don’t mean (F#7)an y thing when you’ve (G#m)got no one
to (E)tell them to it’s (B)true
(F#7)I was made for you.
Oh, yeah, well it’s true
that (F#7)I was made for (B)you.
This page shows “The Story” by Brandi Carlile in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of B at 94 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a great way to build comfort playing in the key of B, which sits your right hand almost entirely on black keys — five sharps can feel unfamiliar at first, but the chord shapes actually fall naturally once you commit them to muscle memory. Your left hand uses an octave bass pattern throughout, so keep that reach relaxed and steady at 94 BPM; rushing the bass is the most common issue I see. Pay special attention to the Bsus4-to-B resolution — it's just one finger lifting, but timing that release cleanly against the bass gives the ballad its emotional pull. The F#7 transition into G#m can also catch you off guard, so loop those two bars hands-separately until the voicing feels automatic. Start at around 70 BPM, get both hands locked in, then gradually bring it up to tempo. By the end, you'll have a much stronger feel for navigating sharp-heavy keys with confidence — that skill transfers to a huge number of songs.