I have heard so (Eb)man y songs,
lis tened to a (Ab)thou sand tongues.
But (Fm7)there is one
that (Bb7sus)sounds a bove
them all.
The Fa ther’s song, the (Bb)Fa ther’s love,
You sung it o ver (Ab)me and for e (Fm7)ter ni ty
it’s (Bb7sus)writ ten on
(Bb7)my (Eb)heart.
Heav en’s per fect mel o dy,
the Cre a tor’s sym pho ny.
You are sing ing o ver me
the Fa (Bb7)ther’s (Cm)song.
(Eb)Heav en’s per fect mys ter y,
the King of love has sent for me.
And now You’re sing ing o ver me
the Fa (Bb7)ther’s (Eb)song.
I have heard so (Eb)man y songs,
lis tened to a (Ab)thou sand tongues.
But (Fm7)there is one
that (Bb7sus)sounds a bove
them all.
The Fa ther’s song, the (Bb)Fa ther’s love,
You sung it o ver (Ab)me and for e (Fm7)ter ni ty
it’s (Bb7sus)writ ten on
(Bb7)my (Eb)heart.
Heav en’s per fect mel o dy,
the Cre a tor’s sym pho ny.
You are sing ing o ver me
the Fa (Bb7)ther’s (Cm)song.
(Eb)Heav en’s per fect mys ter y,
the King of love has sent for me.
And now You’re sing ing o ver me
the Fa (Bb7)ther’s (Eb)song.
(Eb)song.
It’s (Eb)heav en’s per fect mys ter y,
the King of love has sent for me.
And now You’re sing ing o ver me
the Fa (Bb7)ther’s (Eb)song.
The Fa ther’s song, the (Eb)Fa ther’s love,
You sung it o ver (Ab)me and for e (Fm7)ter ni ty
it’s (Bb7sus)writ ten on
my (Cm7)heart.
It’s writ ten on my heart.
You’re sing ing o ver (Cm7)me,
Fa ther.
This page shows “The Father's Song” by Matt Redman in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Ab at 90 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a beautiful exercise in smooth chord transitions across a rich set of eleven chords in Ab major, and at 90 BPM you have just enough time to think — but not enough to hesitate. Your left hand plays block bass, so focus on locking in those root positions cleanly before adding the right hand; the extended voicings like Cm9 and Fm7 require you to spread your fingers wide, so isolate those shapes until they feel natural under your hand. The trickiest moments will be moving between Cm7 and Ebsus2, and shifting from Gm7 to Ab6 — practice those two-chord pairs in a slow loop until the motion is automatic. Use the sustain pedal generously but change it precisely on each chord shift to keep the peaceful mood without muddiness. I'd suggest hands-separate work first, then combine at around 65 BPM before building up to tempo. This is the kind of song that will genuinely strengthen your confidence with seventh and extended chords in a flat key — once these shapes are in your hands, you'll find dozens of other ballads suddenly feel more approachable.