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I can al gles most see it, that dream es I’m dream in’; but there’s a voice in side my head say ing, “You’ll nev er reach it.” Ev ’ry step I’m tak ing, ev ’ry move are I make feels that (Asus2)lost with no di rec mem tion; most, yeah.
my faith ta is shak en.
But (C#m)I,
I got ta keep (G#m)try’n’;
got ta (Asus2)keep my head held high.
’Cause, There’s al ways gon na be an oth er moun tain; I’m al ways gon na wan na make it move.
Al ways gon na be an up hill bat tle; some times, I’m gon na (B5)have to lose.
Ain’t a bout how fast I get there; ain’t a bout what’s wait ing on the oth er (C#m)side;
it’s the climb.
The can al gles most fac ing, the dream es I’m tak ing but some a times might knock me down, but ing, no, I’m not break ing.
I ’ry may not know it, but ’ry move are I mo feels that (Asus2)lost I’m no na re mem tion; most, yeah.
Just faith ta is go ing.
And (C#m)I,
I got ta be (G#m)strong,
got ta (Asus2)just keep push ing on.
’Cause, there’s al ways gon na be an oth er moun tain; I’m al ways gon na wan na make it move.
Al ways gon na be an up hill bat tle; some times, I’m gon na (B5)have to lose.
Ain’t a bout how fast I get there; ain’t a bout what’s wait ing on the oth er (C#m)side;
it’s the climb.
(C#m)side;
it’s the climb.
There’s al ways gon na be an oth er moun tain; I’m al ways gon na wan na make it move.
Al ways gon na be an up hill bat tle; some (F#m)bod y’s (G#m)gon na have to lose.
Ain’t a bout how fast I get there; ain’t a bout what’s wait ing on the oth er (C#m)side;
it’s the climb.
Keep on mov ing, keep climb ing; keep the faith, ba by.
It’s all a bout, it’s all a bout the climb.
Keep the faith, keep your faith.
This page shows “The Climb” by Miley Cyrus in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of E at 80 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a fantastic workout for playing confidently in the key of E — four sharps means your fingers need to feel at home on F#, C#, G#, and D# without hesitation. Your left hand plays block-style bass, so focus on locking in clean chord shapes, especially the C#m and F#m7 voicings where your hand has to stretch across black keys. At 80 BPM you have breathing room, but watch the transitions from B7 to C#m and from G#m into A — those shifts cover real distance on the keyboard. I'd suggest learning hands separately first, then loop the chorus at half speed until the chord changes feel automatic. The power chords (Epow, Bpow) should land with weight but stay controlled — resist banging. If sharp-heavy keys have ever felt intimidating, this is the song that'll make E major feel like home territory.