Ba by, ba by, ba by,
what’s it gon na be?
to night?
Oh, Ba by, ba by, ba by,
is it him my or es is it (Bb6)me?
u right?
(Ab)Don’t make me (Eb)waste my (Ab)time.
The (Ab)Don’t make me (Eb)lose my (Ab)mind, ba by.
u (Ab)ev ’ry time.
Paint a per fect (Bb6)pic ture.
Bring to life a (Bb6)vi sion in one’s mind.
The beau ti ful ones al ways smash the pic ture,
al ways, ev ’ry time.
If I told you ba by,
that I was in love with (Bb6)u;
oh, ba by, ba by, ba by, if we got (F6/9)mar ried,
would that be (Bb6)cool?
(Ab)U make me (Eb)so con (Ab)fused.
The (Ab)beau ti ful (Eb)ones, u (Ab)al ways (Ab)seem 2 (F6/9)lose.
This page shows “The Beautiful Ones” by Prince in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Bb at 90 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a great way to work on left-hand "oompah" bass patterns — your left hand alternates between a low root note and a mid-range chord chunk, which at 90 BPM gives you just enough time to land each jump cleanly if you stay relaxed through the wrist. Pay special attention to the shift between Bb6 and Bbm: that move from major to minor is the emotional heart of the song, and it's only one note changing (D natural drops to Db), so keep your other fingers anchored and just curl that one finger down. The Ab chord can sneak up on you during transitions — isolate any passage where you're moving into or out of Ab and loop it at half tempo until the shape is automatic. I'd suggest learning the left-hand bass pattern alone first until it feels steady, then layer in right-hand melody, because the oompah groove needs to be rock-solid underneath everything. The sixth chords (Bb6 and F6) might be new to you, but they're just standard triads with one added note, and getting comfortable with them here will make a huge difference in how naturally you voice pop chords going forward.