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(Em)Hel lo, hel lo ba by, you called; (G)I can’t hear a thing.
(A)I have got no ser vice in the (Em)club, you see, see.
Wha wha what did you say?
Oh, you’re (G)break ing up on me.
(A)Sor ry, I can not hear you, I’m (Em)kind a bu sy.
K kind a bu sy.
K (G)kind a bu sy.
(A)Sor ry, I can not hear you, I’m (Em)kind a bu sy.
Stop call ing, stop call ing, (G)I don’t wan na think an y more.
(I left my head and my (Em)heart on the dance floor.) Stop call ing, stop call ing, (G)I don’t wan na talk an y more.
(I left my head and my (Em)heart on the dance floor.) (Em)(Eh eh eh eh eh eh eh eh (G)eh eh eh.) Stop te le phon ing (A)me.
(Eh eh eh eh eh eh eh (Em)eh eh eh.) I’m bu sy.
(Eh eh eh eh eh eh eh (G)eh eh eh.) Stop te le phon ing (A)me.
(Eh eh eh eh eh eh eh (Em)eh eh eh eh.)
This page shows “Telephone” by Lady Gaga in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of G at 120 BPM, a slightly more challenging arrangement — practice each phrase slowly first.
This arrangement is a great way to lock in steady eighth-note rhythms in your right hand while your left hand holds down simple root-position chords in G major. At 120 BPM the pulse is driving but manageable — the real challenge is keeping your rhythm tight and consistent, because pop like this lives or dies on its groove. Start hands-separate: get your left-hand chord changes smooth first, especially any move that jumps more than a step, then layer the right-hand melody on top at about 80 BPM before bringing it up to tempo. Watch for spots where the melody sits on off-beats or pushes ahead of the chord change — that syncopated feel is what makes the song sound right, so resist the urge to rush those notes back onto the beat. If a transition trips you up, loop just that two-bar passage until it feels boring, then move on. By the end you'll have a much stronger sense of how to lock both hands into a steady pop groove, which is a skill that transfers to dozens of other songs at this level.