My tears are (Dm)fall in’
’cause you’re (Gm7)tak in’ her a (Gm7)way,
(C9)and (F)though it real ly (Dm)hurts me so, there’s (Gm7)some thin’ that I got ta (Gm7)say.
Take
good (Dm)care of
my
ba
(C7)by.
Please
don’t (Dm)ev er make her (Gm7)blue.
Just tell her (F7)that you love her,
make a sure you’re (Bbm)think in’ of her
in ev ’ry (Dm)thing you say and (Gm7)do.
Take
good (Dm)care of
my
ba
(C7)by.
Don’t
you (Dm)ev er make her (Gm7)cry.
Just let your (F7)love sur round her,
paint a rain bow (Bbm)all a round her.
Don’t let her (Dm)thing you say and (Gm7)do.
(Gm7)see a (C7)cloud y (F)sky.
(Gm7)Once up on a (C7)time
that (F)lit tle girl
was (Dm7)mine.
(Gm7)If I had been (C7)true,
I (Fmaj7)know she’d (Dm7)nev er (Gm7)be with (C7)you.
So,
take
good (Dm)care of
my
ba
(C7)by,
be just as (Dm)kind as you can (Gm7)be,
and if you (F7)should dis cov er
that you don’t (Bbm)real ly love her,
just send my (Dm)ba by
back (Gm7)home
(C7)to
(F)me.
This page shows “Take Good Care Of My Baby” by Bobby Vee in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Bb at 80 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a great way to build your comfort with jazz-flavored chord voicings in B♭ — you've got ten chords here, and several of them (Dm7, Gm7, Fmaj7, C9) ask your left hand to hold extended shapes that'll stretch your fingers wider than basic triads. At 80 BPM you have breathing room, so use it: the real challenge isn't speed but nailing smooth transitions, especially moving between B♭ and B♭m, where just one note drops a half step and your ear needs to feel that subtle shift into sadness. I'd suggest learning the left-hand block bass pattern alone first, looping the verse until those chord changes feel automatic, then layering in the melody. Watch the move from F7 to B♭ — that dominant pull is the emotional engine of the tune, so voice it cleanly. If any transition feels sticky, isolate just those two chords and repeat ten times slowly before moving on. This piece will genuinely solidify your seventh-chord vocabulary and make every jazz-influenced pop song after it feel more familiar under your hands.