Well, you
send end my life a whirl in’, But dar lin’, when you’re twirl in’ than on ors out the floor.
And who
cares dar a bout to mor row?
and What more is to mor row than an oth get out er of (D)reach,
when you
(C)swept me a way?
Yeah, you
(C)swept me a way.
I see
the end such of the rain bow.
but what more is a rain bow you col that I’m of reach?
If you
come dar down to my win dow, when I climb out my win dow, and then we’ll er will a of (D)reach,
then you
(C)swept me a way?
Yeah, you
(C)swept me a way.
I see You said
Life is ev er chang ing, but I will al ways find a con stant and com fort in your love.
(G)With your heart my soul is bound.
And as we dance, I know that heav en can be found.
Well, you
send my life a whirl in’, dar lin’, when you’re twirl in’ on the floor.
And who
cares a bout to mor row?
What more is to mor row than an oth er day
when you
(C)swept me a way?
Yeah, you
(C)swept me a way.
Yeah, you
(C)swept me a way.
This page shows “Swept Away” by The Avett Brothers in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of G at 166 BPM, a slightly more challenging arrangement — practice each phrase slowly first.
This arrangement is a great way to build confidence with four essential chords — G, C, D, and Em — while your left hand locks into a steady octave bass pattern that gives the song its warm, grounded feel. At 166 BPM it moves briskly, so start at half speed and focus on getting your left-hand octaves smooth and even before adding the right hand on top. The trickiest moment for most students is the transition from C back to G — your hand has to reset quickly, so practice just that two-chord switch in a loop until it feels automatic. Once both hands are comfortable separately, bring them together at a slow tempo and gradually nudge the speed up. Watch that you don't rush through the Em sections; the romantic mood comes from letting those minor phrases breathe. Light sustain pedal, changed with each chord, will help everything sing without getting muddy. This is the piece that'll make your I–IV–V–vi progressions feel like second nature, and that foundation follows you into hundreds of songs.