The (Dm)tax man’s tak en all my dough, and (F)left me in my (C)state ly home: (A7)laz ing on a sun ny af ter noon.
And I can’t sail my yacht, he’s (F)ta ken ev ’ry (C)thing I’ve got, (A7)all I’ve got’s this sun ny af ter noon.
(D)Save me, save me, save me from this (G)squeeze,
I’ve got a (C)big, fat mom ma tryin’ to break (F)me.
And I (Dm)love to live so (G)plea sant ly, (Dm)live this life of lu xu ry: (F)laz ing on a (A7)sun ny af ter noon.
In sum mer time,
in (Dm)sum mer time,
in sum mer time.
This page shows “Sunny Afternoon” by The Kinks in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Bb at 130 BPM, a slightly more challenging arrangement — practice each phrase slowly first.
This arrangement is a great way to build real confidence with the Alberti bass pattern — your left hand will be rolling broken chords steadily underneath a playful melody, and that's the core skill to nail first. Start hands-separate at around 80 BPM, focusing on keeping your left hand smooth and even through each chord change before you bring it up to 130. The move from A7 to Dm is the transition to watch: that C♯ in the A7 resolving down to D needs to feel automatic, so loop just those two bars until your fingers know the way. The chord set stays in a comfortable range, but don't let that lull you into rushing — the easy-listening groove only works when your Alberti pattern is relaxed and steady, not tight. Use light pedal on chord changes to keep things connected without getting muddy. Once this feels natural, you'll have an Alberti bass you can trust in dozens of other songs.