When they come to take you down,
when they bring that (F)wag
on ’round,
when they come to call on you
and drag your poor bod y (F)down,
just one thing I (Dm)ask of you.
There’s just one thing for (F)me.
Please for get you (Dm)knew my name,
my (Bb)dar ling
Sug ar (F)ee.
Shake it, shake it, Sug ar ee.
Just don’t tell ’em that you (Bb)know
(F)me.
Shake it, shake it, Sug ar ee.
Just don’t tell ’em that you (Bb)know
(F)me.
When they come to take you down,
when they bring that (F)wag
on ’round,
when they come to call on you
and drag your poor bod y (F)down,
Just one thing I (Dm)ask of you.
There’s just one thing for (F)me.
Please for get you (Dm)knew my name,
my (Bb)dar ling
Sug ar (F)ee.
Shake it, shake it, Sug ar ee.
Just don’t tell ’em that you (Bb)know
(F)me.
Shake it, shake it, Sug ar ee.
Just don’t tell ’em that you (Bb)know
(F)me.
Well, shake it up now,
Sug ar ee.
I’ll meet you at the (F)ju
bi lee.
And if that ju bi lee
don’t come,
may be I’ll meet you
on the run.
Shake it, shake it, Sug ar ee.
Just don’t tell ’em that you (Bb)know
(F)me.
Shake it, shake it, Sug ar ee.
Just don’t tell ’em that you (Bb)know
(C)me.
This page shows “Sugaree” by Grateful Dead in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of C at 120 BPM, a comfortable easy-level arrangement perfect for first-time learners.
This arrangement is a great way to get comfortable with minor-key color inside a major framework — you've got Dm and Gm alongside C and F, plus that Bb chord which might feel unfamiliar under your fingers at first. Start hands-separate: your left hand plays block bass, so lock in the root positions cleanly before adding the right-hand melody. The trickiest transitions are C to Bb and F to Gm, because both involve shifting your whole hand position down a step quickly — drill just those two-chord pairs slowly until they feel automatic. At 120 BPM the tempo is steady but not rushed, so resist speeding up during easier passages and slowing down at the harder changes; use a metronome from the start. Once both hands are solid, loop the verse section a few times before connecting it to the rest. This is the piece that'll make borrowed chords like Bb and Gm feel like old friends in your hands.