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Am I (CN.C.)more than you bar gained for yet?
I’ve been dy ing to tell you an y thing from you clo want set, to hear, ing to ’cause that’s just who I am this week.
(D5)Lie in the grass (G5)next to the mau so le um.
I’m just a (D5)notch in your bed post, but (G5)you’re just a line in a song.
(B5)Notch in your bed post, but (G5)you’re just a line in a (D)Drop a (Gsus2)heart,
(A)break a (Bm)name.
We’re al ways (C5)sleep ing in and sleep ing for the wrong team.
We’re go in’ (D5)down, down in an ear li er round.
And, (G5)sug ar, we’re go ing down swing ing.
I’ll be your (B5)num ber one with a bul let.
A (G5)load ed gun com plex, cock it and pull it.
We’re go in’ (D5)down, down in an ear li er round.
And, (G5)sug ar, we’re go ing down swing ing.
I’ll be your (B5)num ber one with a bul let.
A (G5)load ed gun com plex, cock it and pull it.
Is this (CN.C.)more than you bar gained for yet?
Oh, don’t mind me.
I’m watch ing you y two from the clo want set, to hear, ing to ’cause be the fric tion in your jeans.
(D5)Is n’t it messed (G5)how I’m just dy to be him?
I’m just a (D5)notch in your bed post, but (G5)you’re just a line in a song.
(B5)Notch in your bed post, but (G5)you’re just a line in a (D)song.
a (Gsus2)heart,
(A)break a (Bm)name.
We’re al ways (C5)sleep ing in and sleep ing for the wrong team.
We’re go in’ (D5)down, down in an ear li er round.
And, (G5)sug ar, we’re go ing down swing ing.
I’ll be your (B5)num ber one with a bul let.
A (G5)load ed gun com plex, cock it and pull it.
We’re go in’ (D5)down, down in an ear li er round.
And, (G5)sug ar, we’re go ing down swing ing.
I’ll be your (B5)num ber one with a bul let.
A (G5)load ed gun com plex, cock it and pull it.
Is this
Down, down in an ear li er round.
And, sug ar, we’re go ing down swing ing.
I’ll be your (G5)num ber one with a bul let.
A load ed gun com plex, cock it and pull it.
We’re go in’ (D5)down, down in an ear li er round.
And, sug ar, we’re go ing down swing ing.
I’ll be your (G5)num ber one with a bul let.
A load ed (CN.C.)gun com plex, cock it and pull it.
We’re go in’ (D5)down, down, down, down, (G5)down, down, down, down.
We’re go in’ (B5)down, down, down, down.
A (G5)load ed gun com plex, cock it and pull it.
We’re go in’ (D5)down, down in an ear li er round.
And, (G5)sug ar, we’re go ing down swing ing.
I’ll be your (B5)num ber one with a bul let.
A (G5)load ed (CN.C.)gun com plex, cock it and pull it.
This page shows “Sugar, We're Goin' Down” by Fall Out Boy in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of D at 155 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a great workout for your right hand's ability to snap between chord shapes quickly — at 155 BPM in the key of D, those power chords like Bpow, Gpow, and Epow will fly by, so you need clean, confident hand shifts rather than fumbling for individual notes. Your left hand stays grounded with a block bass pattern, which is good news: let it be your anchor while your right hand does the heavy lifting. I'd suggest starting hands-separate at around 100 BPM, focusing first on the right-hand chord changes — especially the move from Bm to Gsus2, which catches a lot of students off guard because the shape change is wider than it feels. Once that's smooth, bring your hands together and bump the tempo up in small increments. Watch the transition into the C and Cpow sections too; they sit outside the home key and your fingers will want to drift. Loop those passages until they feel automatic. This is the song that'll really lock in your power-chord vocabulary and teach you to keep steady time when the energy is pushing you to rush.