(C)Sug ar,
ah, hon ey, (C)hon ey,
you are my (C)can dy (F)girl
and you’ve got me (C)want ing you.
(C)Hon ey,
ah, sug ar, (C)sug ar,
you are my (C)can dy (F)girl
and you’ve got me (C)want ing you.
I just can’t be lieve the (F)love li ness of lov ing you.
(I (I just can’t be (F)lieve it’s (C)true.)
I just can’t be lieve the (F)won der of this (C)feel ing, too.
(I just can’t be (F)lieve it’s (G)true.)
Ah, (C)sug ar,
ah, hon ey, (C)hon ey,
you are my (C)can dy (F)girl
and you’ve got me (C)want ing you.
(C)Hon ey,
ah, sug ar, (C)sug ar,
you are my (C)can dy (F)girl
and you’ve got me (C)want ing you.
When I kissed you, girl, I (F)knew how sweet a lov ing you.
(I know how sweet a (F)kiss can (C)be.)
Like the sum mer sun shine, (F)pour your sweet ness (C)o ver me.
(I just can’t be (F)lieve it’s (G)true.)
Ah, (Pour your sweet ness (F)o ver me.) Oh,
(C)Pour a lit tle sug ar on it, hon ey.
(C)Pour a lit tle sug ar on it, ba by.
(C)I’m gon na make your life so sweet, yeah, yeah, yeah.
(C)Pour a lit tle sug ar on it, yeah, yeah, yeah.
(C)Pour a lit tle sug ar on it, hon ey.
(C)Pour a lit tle sug ar on it, ba by.
(C)I’m gon na make your life so sweet, yeah, yeah, yeah.
(C)Pour a lit tle sug ar on it, yeah, yeah, yeah.
(C)Pour a lit tle sug ar on it, (C6)hon ey.
Ah!
This page shows “Sugar, Sugar” by The Archies in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of C at 120 BPM, a slightly more challenging arrangement — practice each phrase slowly first.
This arrangement is a great way to get comfortable with an oompah bass pattern in your left hand — you'll play a low bass note followed by the chord higher up, bouncing back and forth to create that classic pop-rock groove. At 120 BPM it moves at a steady clip, so start slow and lock in that left-hand rhythm before adding the melody. Your five chords — C, C6, F, G, and G7 — sit nicely under your fingers in the key of C, but watch the move from C up to F; land that left-hand jump cleanly before you speed up. The C6 chord is just a small color change from your regular C, so listen for that subtle sweetness and don't rush past it. Loop the first verse hands-separately until the oompah feels automatic, then layer the right hand on top. Once both hands sync up at tempo, the whole thing locks into a playful, bouncy feel that's genuinely fun to play. This is the piece that will make your left-hand bass-and-chord coordination feel natural for dozens of songs to come.