Stuck on you,
I’ve been a (Bb)fool too down long, I guess it’s (C)time for me to come on home.
Guess I’m on
my way.
So hard to see
that a (Bb)wom an like you could wait a (C)round for a man like the me.
Guess I’m on
my way,
might y glad you stayed.
Stuck on you,
I’ve got this (Bb)feel in’ down deep in my soul (C)time that I just come can’t lose.
Guess I’m on
my way.
Need ed a friend,
and the (Bb)way I feel now I guess I’ll (C)round be with you till the end.
Guess I’m on
my way,
might y glad you stayed.
Oh, I’m (C)leav ing on that mid night train (F)to mor row,
and I know just where I’m go
in’.
I’ve packed up my trou bles and I’ve (F)thrown them all a way.
’Cause (Bb)this time, lit tle dar lin’,
I’m com in’ home to (C)stay,
ah.
I’m might y glad you stayed.
This page shows “Stuck On You” by Lionel Richie in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Bb at 120 BPM, a comfortable easy-level arrangement perfect for first-time learners.
This arrangement is a great way to build comfort playing in the key of B♭, where your fingers need to stay aware of those two flats. Your left hand uses block chords throughout, so focus first on getting clean, confident shapes for B♭ and Dm — those two tend to feel awkward for newer players since both sit on black-and-white-key combinations. The move from B♭ down to Am is worth isolating because the roots are only a half step apart, and at 120 BPM you'll need that transition smooth and automatic. Practice your left hand alone first, cycling through all five chords until the shapes feel memorized in your hand, not just your head. Once that's solid, add the melody — the right hand is fairly stepwise and gentle, true to the ballad feel. This is the piece that'll make flat-key chord changes feel like second nature, so lean into the repetition and let the muscle memory build.