(Bm7)We who were (Dsus)called to be Your peo ple,
(Bm7)strug gling
(Dsus)sin ners and (D)thieves.
We’re (Bm7)lift ed (Dsus)up from the (D)ash es,
and (Bm7)out came the (Dsus)song of the re (D)deemed,
the (Dsus)song of the re deemed.
Can you hear the (D)sound of mel o dies, oh, the (A)sound of mel o dies ris ing (F#m7)up to You, ris ing (F#m)up to (G2)You, God?
The (D)sound of mel o dies, oh, the (A)sound of mel o dies ris ing (F#m7)up to You, ris ing (F#m)up to (G2)You, God?
Oh, (Bm7)we have (Dsus)caught a rev e (D)la tion,
that (Bm7)noth ing can (Dsus)sep a rate us (D)from.
The (Bm7)love we re (Dsus)ceived through sal va tion,
it (Bm7)fills Your (Dsus)daugh ters and Your (D)sons,
Your (Dsus)daugh ters and Your sons.
Can You hear the (G2)You, God?
The sound of Your love, the sound of Your (A)love, is what You’re hear ing.
The sound of Your sons, the sound of Your (A)sons, You’ve won Your chil dren.
The sound of Your love, the sound of Your (A)love, is what You’re hear ing.
Your daugh ters in love, Your daugh ters in (A)love, You’ve won Your chil dren.
The (D)sound of mel o dies, oh, the (A7sus)sound of mel o (A)dies ris ing (F#m7)up to You.
Ris ing (A)up to (G2)You, God,
ris ing up to You, God.
La, (D)la, la, la, la, la, la, la, (A)la, la, la, la, la, la, la, (F#m7)la, la, la, la, la, (F#m)la, la, (G2)la, la.
(D)la, la, la, la, la, la, la, (A)la, la, la, la, la, la, la, (F#m7)la, la, la, la, la, (F#m)la, la, (G2)la, la.
This page shows “Sound Of Melodies” by Leeland in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of D at 123 BPM, a comfortable easy-level arrangement perfect for first-time learners.
This arrangement is a great way to get your left hand comfortable with an Alberti bass pattern — that broken-chord rocking motion where you play low-high-middle-high across each chord. At 123 BPM it's gentle enough to feel natural but fast enough to demand evenness, so start hands-separate and slower until your left hand can autopilot through the chord changes. Your right hand mostly moves between familiar D-major shapes, but watch the sus4 resolutions: Dsus4 to D, Asus4 to A, and especially Bsus4 — that fourth-to-third finger release needs to land cleanly without rushing. The F♯m7 and Bm7 voicings sit close together on the keyboard, so map those transitions slowly before speeding up. Loop the verse progression a few times until the Alberti pattern feels like breathing, then layer the right hand on top. This is the piece that'll make sus4 resolutions second nature for you — enjoy how peaceful it sounds once everything locks in.