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I don’t know, it’s just some thing a bout ya got me feel ing like I can’t be with out ya.
An y time some one men tion your name, I be feel ing as if I’m a round ya.
Ain’t no words to de scribe you, ba by, all I know is that you take me high.
Can you tell that you drive me cra zy?
’Cause I can’t get you out my mind.
Think of you when I’m go ing to bed; when I wake up, think of you a gain.
You are my ho mie, lov er and friend.
Ex act ly why you light me (G)up in side, like a Fourth (D)of Ju ly.
When ev er (Bm)you’re a around, I al ways (A)seem to smile.
And peo ple (G)ask me how.
Well, you’re the (D)rea son why I’m
danc ing in the mir (A)ror and sing ing in the show (G)er.
(La dat (D)dee, la dat da, la dat (Bm)da.)
Sing ing in the show (G)er.
(La dat (D)dee, la dat da, la dat (Bm)da.)
Sing ing in the show (CN.C.)er.
(Show er, show er, show er...) All I want, all I need is your lov in’.
Ba by, you make me hot like an ov en.
Since you came, you know what I’ve dis cov ered?
Ba by, I don’t need me an oth er.
No, no, all I know, on ly you got me feel ing so.
And you know that I got to have you, and I don’t plan to let you go.
Yeah, sing ing in the show (G)er.
ter.)
There ain’t no guar an tee, but I’ll take a chance on we.
Ba by, let’s take our time.
(Sing ing in the show er.) And when the times get rough, there ain’t no giv ing up, ’cause it just feels so right.
(Sing ing in the show er.) Don’t care what oth ers say; if I got you, I’m straight.
You bring my heart to life, yeah.
You light me (G)up in side, like a Fourth (D)of Ju ly.
When ev er (Bm)you’re a around, I al ways (A)seem to smile.
And peo ple (G)ask me how.
Well, you’re the (D)rea son why I’m
danc ing in the mir (A)ror and (CN.C.)sing ing in the show (G)er.
(La dat (D)dee, la dat da, la dat (Bm)da.)
Sing ing in the show (G)er.
(La dat (D)dee, la dat da, la dat (Bm)da.)
Sing ing in the show (G)er.
(La dat (D)dee, la dat da, la dat (Bm)da.)
Sing ing in the show (G)er.
(La dat (D)dee, la dat da, la dat (Bm)da.)
Sing ing in the show
This page shows “Shower” by Becky G in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of D at 120 BPM, a comfortable easy-level arrangement perfect for first-time learners.
This arrangement is a great way to build confidence with a five-chord pop progression at a brisk 120 BPM, so let's set you up for success. Your left hand follows an octave bass pattern — root note, then the same note an octave up — which keeps the groove bouncing underneath five chords: D, G, A, Bm, and C. The trickiest moment is the shift to C major, since it sits outside the key of D and your fingers won't expect it; isolate that transition and play it slowly until the hand shape feels automatic. Your right hand carries a light, upbeat melody that leans on repeated notes and small intervals, but watch the rhythm closely because pop syncopation can sneak up on you at tempo. Start hands-separate at around 80 BPM, lock in the left-hand octave pattern until it's effortless, then layer the melody on top. Once both hands sync comfortably, nudge the tempo up in small increments. This is the piece that'll solidify your ability to keep a steady rhythmic pulse while managing chord changes — a skill you'll use in practically every pop song from here on out.