(F)Home grown al li ga tor, (Bb)see you lat er, got ta hit the (Dm)road,
got ta hit the (C)road.
(F)Some thing sea changed div in the at mos phere, bi (Bb)ar chi tec ture un fa mi liar, I could get used to this.
(F)Time flies by in the (Bb)yel low and green, stick a round and you’ll see what I mean.
There’s a (F)moun tain top that (Bb)I’m dream ing of, if you need me you know were I’ll be.
I’ll be rid ing (F)shot gun un der neath the (Bb)hot sun, feel ing like a (Dm)some one.
I’ll be rid ing (F)shot gun un der neath the (Bb)hot sun, feel ing like a (Dm)some one.
The (F)south of the E qua tor, (Bb)na vi gat or, got ta hit the (Dm)road,
got ta hit the (C)road.
(F)Some thing sea changed div in the at mos phere, bi (Bb)ar ni bot toms, lag er tops, liar, I could get used to this.
(F)Time flies by in the (Bb)yel low and green, stick a round and you’ll see what I mean.
There’s a (F)moun tain top that (Bb)I’m dream ing of, if you need me you know were I’ll be.
I’ll be rid ing (F)shot gun un der neath the (Bb)hot sun, feel ing like a (Dm)some one.
I’ll be rid ing (F)shot gun un der neath the (Bb)hot sun, feel ing like a (Dm)some one.
The
We got (F)two in the front,
(Bb)two in the back,
(Dm)sail ing a long and we (C)don’t look back.
(F)Time flies by in the (Bb)yel low and green, stick a round and you’ll see what I mean.
There’s a (F)moun tain top that (Bb)I’m dream ing of, if you need me you know were I’ll be.
I’ll be rid ing (F)shot gun un der neath the (Bb)hot sun, feel ing like a (Dm)some one.
I’ll be rid ing (F)shot gun un der neath the (Bb)hot sun, feel ing like a (Dm)some one.
I’ll be rid ing (Dm)some one, some one, (C)some one, some one.
This page shows “Shotgun” by George Ezra in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Bb at 116 BPM, a comfortable easy-level arrangement perfect for first-time learners.
This arrangement is a great way to build confidence with left-hand octave bass patterns while keeping things fun and rhythmic. Your left hand will bounce between octave Bb, C, D, and F notes — focus on landing those cleanly with a relaxed wrist, because tension will slow you down fast at 116 BPM. Your right hand cycles through just four chords — Bb, C, Dm, and F — so the real challenge isn't complexity, it's consistency and groove. Watch the transition from Bb to C especially: that whole-step shift tempts you to rush. Start hands-separate at around 80 BPM, locking in the left-hand octave rhythm until it feels automatic, then layer the right hand on top. Once both hands are steady, bump the tempo up in small increments. If any section feels shaky, loop it ten times before moving on. This is the kind of song that trains your hands to hold a steady pop pulse — once you own that, dozens of songs open up.