Be in’ a mis tress on the side,
it might not ap peal to fools like you.
Creep in’ a round while on the side
it would not be some thing you would do.
But you have n’t (Gm7)seen my man,
you have n’t (Am)seen
my man.
You have n’t (Gm7)seen my man,
you have n’t (A)seen
him.
He’s got the (Bb)fire,
and he (Dm)walks with it.
He’s got the (Bb)fire,
and he (Dm)talks with it.
His bon ny on the (Bb)side, bon ny on the (F)side makes me (Gm)so sad, girl.
His mon ey on the (Bb)side, mon ey on the (F)side makes me (Gm)so sad, girl.
I’m a (F)sad (Dm)girl, I’m a sad girl, I’m a (C)sad
girl.
I’m a (C)sad (Dm)girl, I’m a bad girl, I’m a (C)bad
girl.
Be in’ a bad bitch on the side,
it might not ap peal to fools like you.
Creep in’ a round while he gets high,
it might not be some thing you would do.
But you have n’t (Gm7)seen my man,
you have n’t (Am)seen
my man.
You have n’t (Gm7)seen my man,
you have n’t (A)seen
him.
He’s got the (Bb)fire,
and he (Dm)walks with it.
He’s got the (Bb)fire,
and he (Dm)talks with it.
His bon ny on the (Bb)side, bon ny on the (F)side makes me (Gm)so sad, girl.
His mon ey on the (Bb)side, mon ey on the (F)side makes me (Gm)so sad, girl.
I’m a (F)sad (Dm)girl, I’m a sad girl, I’m a (C)sad
girl.
I’m a (C)sad (Dm)girl, I’m a bad girl, I’m a (C)bad
girl.
Watch what you say to me,
care ful who you’re talk in’ to.
Watch what you say to me,
care ful who you’re talk in’ to.
I’m on fi
re,
(Eb)ba by.
I’m on fi
(C5)re.
He’s got the (Bb)fi re,
and he (Dm)walks with it.
(C)He’s got the (Bb)fi re,
and he (Dm)talks with it.
His (C)bon ny on the (Bb)side, bon ny on the (F)side makes me (Gm)so sad, girl.
His mon ey on the (Bb)side, mon ey on the (F)side makes me (Gm)so sad, girl.
I’m a sad (Bb)girl, I’m a sad (F)girl, I’m a sad
girl.
I’m a sad (Bb)girl, I’m a mad (F)girl, I’m a bad
girl.
I’m a sad (Bb)girl, I’m a sad (F)girl, I’m a sad
girl.
I’m a sad (Bb)girl, I’m a mad (F)girl, I’m a bad
girl.
This page shows “Sad Girl” by Lana Del Rey in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of G at 60 BPM, a comfortable easy-level arrangement perfect for first-time learners.
This arrangement is a great way to get comfortable with borrowed chords — you'll move between familiar shapes like Am and F and then hit unexpected ones like Bb, Eb, and Cm that pull from G minor, giving the song that signature melancholic color. Your left hand keeps a steady octave bass pattern, so start there hands-separate until the jumps between root notes feel automatic, especially when you shift from C down to Bb or from G up to Eb. At 60 BPM you have breathing room, but don't let that fool you — the real challenge is landing those chromatic chord transitions cleanly without hesitating. Loop any bar where a borrowed chord catches you off guard and drill just that switch until your fingers expect it. Once it clicks, try adding light sustain pedal, lifting on each chord change to keep things warm but not muddy. Fifteen chords sounds like a lot, but this is the piece that'll teach your hands to trust chromatic movement instead of fearing it.