Don’t (F)be so quick to walk a way.
Dance with me.
I wan na (F)rock your bod y.
Please stay.
Dance with me.
You don’t (F)have to ad mit you wan na play.
Dance with me.
Just let me (F)rock you ’til the break of day.
Dance with me.
Got time, (G)but I don’t mind.
Just wan na rock you, girl.
I’ll have what (G)ev er you had.
Come on, let’s give it a whirl.
See, I been watch in’ you, and I like the way you move.
So go ’head, (G)girl, just do that ass shak in’ thing you do.
So you (F)grab your girls, and you (G)grab a cou ple more and you (Em)all can meet me in the mid dle of the floor.
’Said the (F)air is thick, it’s (G)smell in’ right, so you (Em)pass to the left and you sail to the right.
Don’t (F)be so quick to walk a way.
Dance with me.
I wan na (F)rock your bod y.
Please stay.
Dance with me.
You don’t (F)have to ad mit you wan na play,
dance with me.
Just let me (F)rock you
’til the break of day.
Dance with me.
(F)I don’t (G)mean no harm, just wan na rock you, girl.
You can move, (G)but be calm.
Let’s go, let’s give it a whirl.
See, it ap pears to me
you like the way I move.
I tell you what (G)I’m gon’ do: pull you close and share my groove.
So you (F)(Talk to me, (G)boy.) No (Em)dis re spect.
I don’t mean no harm.
(F)(Talk to me, (G)boy.)
(Em)I can’t wait to have you in my arms.
(F)(Talk to me, (G)boy.)
(Em)Hur ry up, ’cause you’re tak in’ too long.
(F)(Talk to me, (G)boy.) Bet ter (Em)have you nak ed by the end of this song.
So (G)what did you come (Am7)(I for?
came to dance I with that you) don’t wan na hit (Fmaj7)(Make floor.
some ro mance with you.) been search in’ for love for (And (Am7)I’ll more.
take a chance...) ...If (Cm7)love is here on the floor,
girl.
Hey,
dance with me.
Yeah.
Come on, ba by.
Don’t (F)be so quick to walk a way.
Dance with me.
I wan na (F)rock your bod y.
Please stay.
Dance with me.
You don’t (F)have to ad mit you wan na play,
dance with me.
Just let me (F)rock you ’til the break of day.
Dance with me.
(F)(Talk to me, (G)boy.) No (Em)dis re spect.
I don’t mean no harm.
(F)(Talk to me, (G)boy.)
(Em)I can’t wait to have you in my arms.
(F)(Talk to me, (G)boy.)
(Em)Hur ry up, ’cause you’re tak in’ too long.
(F)(Talk to me, (G)boy.) Bet ter (Em)have you nak ed by the end of this song.
(CN.C.)Poom ts, poom ts, poom ah, ah ah, ah poom ts poom, poom di poom, shot.
(CN.C.)Poom ts, poom ts, poom ah, ah ah, ah poom ts poom, poom di poom, shot.
Poom ts, poom ts, poom ah, ah ah, ah poom ts poom, poom di poom poom, shot.
Poom ts, poom ts, poom ah, ah ah, ah poom ts poom, poom di poom, shot.
Don’t (CN.C.)be so quick to walk a way.
Don’t be so quick to walk a way.
Don’t (CN.C.)be so quick to walk a way.
Don’t be so quick to walk a way.
Don’t
(CN.C.)Poom ts, poom ts, poom ah, ah ah, ah poom ts poom, poom di poom,
Poom ts, poom ts, poom ah, ah ah, ah poom ts poom, poom di poom,
(CN.C.)Poom ts, poom ts, poom ah, ah ah, ah poom ts poom, poom di poom,
Poom ts, poom ts, poom ah, ah ah, ah poom ts poom, poom di poom,
poom ts poom, poom di poom.
This page shows “Rock Your Body” by Justin Timberlake in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of G at 100 BPM, a comfortable easy-level arrangement perfect for first-time learners.
This arrangement is a great way to build comfort with seventh chords — you'll cycle through Am7, Em7, Cmaj7, and others, so pay attention to how each shape feels under your fingers before you speed up. Your left hand follows an oompah bass pattern, alternating root notes with chord hits, which at 100 BPM should feel relaxed and groovy rather than rushed. The sneaky moment to watch for is the shift from Cmaj7 to Cm7 — it's just one note dropping a half step, but it'll trip you up if you're not ready for it. Same goes for the F and Fmaj7, which sit outside the key of G and can catch your hand off guard. Practice those transitions in a slow loop, hands separately, until they're automatic. Once you've got them, the whole song clicks into a satisfying pocket. This is the piece that'll make seventh chords feel like second nature.