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Hel lo, you.
Hel lo, me.
You Hel lo, want peo ple want to we used to be.
The Is n’t it strange!
We nev er changed.
We’ve been through it all, yet we’re still a the same.
But for And I (Gm)know
it’s a (C)mir a cle we still go.
For (D)all we know,
we might (C)still have a way to go.
Hel lo, me.
Hel lo, you.
You say you we’ve out; ple noth ing start used a new; The throw in your hand;
break up the band; We’ve start a new life; but I’ve be a new man.
But for all we (Gm)know,
we might (C)still have a way to go.
Be (D)fore you go,
we there’s (C)some thing you ought to know.
Hel lo, me.
There’s a guy in my block.
and He lives for for rock; sic.
he plays the (Gm)rec ords thing that day and night.
And (Am)when he feels down, he puts some rock ’n’ roll on, He’s and it (Bb)makes and him feel all right.
Oh, And (C)when he feels the world is clos ing in, he turns his (Dm)ster e o way up us high.
He just to (C)spends his life
(Bb)liv ing in a rock ’n’ roll (Dm)fan ta sy.
He just to (C)spends his life
(Bb)liv ing on the edge of re al i ty.
He just to (C)spends his life in a (Bb)rock ’n’ roll fan ta y more.
He just (C)spends his life
(Bb)liv ing in a rock ’n’ roll (F)fan ta sy.
(CN.C.)Look at me.
Don’t want to (C)spend my life
(Bb)liv ing in a rock ’n’ roll (F)fan ta sy.
This page shows “Rock 'N Roll Fantasy” by The Kinks in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Bb at 100 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a great workout for managing a pedal bass in your left hand — you'll hold or repeat a steady low note while your right hand moves through chord changes above it, which builds real independence between your hands. The chord set spans eight shapes including Bb, Gm, and Dm7, so pay close attention to the shift between Bb and Am, where you're jumping from a flat-key chord to a natural-key chord with no shared tones; finger that transition slowly a few times before playing through. At 100 BPM the tempo is moderate, but the pop-rock energy comes from keeping your rhythm tight and consistent, not from rushing. I'd suggest hands-separate practice first — get that left-hand pedal pattern locked in until it feels automatic, then layer the right hand on top at half speed. Loop any four-bar section where Dm7 resolves to C or F until the voicing feels natural under your fingers. This is the kind of song that genuinely strengthens your ability to hold a groove with one hand while shaping chords with the other, and that skill transfers to almost everything you'll play next.