Rhi an non She is like a bell through the night, and (F)would n’t you love to love her?
Takes to the sky like a bird in flight, and (F)who will be her lov er?
All your life you’ve nev er seen a wom an tak en by the wind.
Would you stay if she prom ised you heav en?
Will you ev er win?
an non She is like a cat in the dark, and (F)then n’t she is to the ness.
She rules her life like a fine sky lark and (F)when the sky her is less.
All your life you’ve nev er seen a wom an tak en by the wind.
Would you stay if she prom ised you heav en?
Will you ev er win?
Will you ev er win?
Rhi (F)an
(Am)non.
Rhi (F)an
(Am)non.
(Am9)Dreams un wind; love’s a state of (Am)mind.
(Am9)Dreams un wind; love’s a state of (Am)mind.
This page shows “Rhiannon” by Fleetwood Mac in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of C at 126 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a great way to build confidence with minor-key grooves — your left hand drives the whole thing with an octave bass pattern at 126 BPM, so start by drilling that hand alone until the Am-to-F and F-to-C root jumps feel automatic in your muscle memory. The chord set is compact (Am, Am9, C, F), but don't let that fool you: the Am9 voicing asks you to hold a familiar Am shape while stretching to add that ninth, so isolate that transition slowly until the reach feels natural. Your right hand will settle into a steady pop-rock rhythm, but watch for moments where the melody syncopates against the bass octaves — tap both rhythms on your lap away from the keyboard if they start to tangle. Use the sustain pedal lightly on each chord change to keep things warm without muddying the bass. Loop the Am–Am9–F passage at half tempo until it's effortless, then bring it up to speed. This is the piece that'll lock in your ability to move smoothly between minor and major tonalities while keeping a rock-solid rhythmic pocket — a skill you'll use in dozens of songs after this one.