(A)I’ll light the fire;
(F#m7)you place the flow ers in the vase
that you bought
to day.
(A)Star ing at the fire
for hours
and hours
while I (D)lis ten (A)to you (Bm7)play (D)your love songs (Bm7)all (D)night long for (A)me,
(F#m7)on ly for me.
(A)Come to me now (A)(Come to and rest your head for just five min utes; (D)ev ’ry (A)thing is (Bm7)done.
(A)Such a co zy room.
(Such a co The win dows are il lu mi nat ed (D)by the (A)eve ning (Bm7)sun (D)shine through them: (Bm7)Fi (D)ery gems for (A)you,
(F#m7)on ly for you.
(A)Our
(A)house
is a (F#m7)ver y, ver y, ver y fine (A)house,
with (D)two cats in the yard.
Life (D)used to be so (A)hard;
now ev ’ry thing is eas y ’cause of (D)you.
(Bm7)And,
(D)ah.
(A)La la (A)la la la la la la la la la la la la la (D)la la la la la la la la (Bm7)la la la la (D)la la (D)la la (A)La la (A)la la la la la la la la la la la la la (D)la la la la la la la la (Bm7)la la la la (D)la la (D)la la (D)la la la la la la la la.
(A)Our
(A)house
is a (F#m7)ver y, ver y, ver y fine y, (A)house, y fine house) with (D)two cats in the yard.
Life (D)used to be so (A)hard;
now ev ’ry thing is eas y ’cause of (D)you.
(Bm7)And,
(D)ah,
(A)I’ll light the fire,
while (F#m7)you place the flow ers in the vase
that you bought
to day.
This page shows “Our House” by Crosby, Stills, Nash & Young in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of A at 120 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a great way to build comfort with seventh-chord shapes in your right hand — Bm7 and F#m7 both ask you to spread across four notes cleanly, so spend a minute just landing each shape from the air until it feels automatic. Your left hand keeps a steady block bass pattern, which sounds simple but demands consistent timing at 120 BPM; practice it alone with a metronome until it feels boring, then add the right hand. Watch the move from D to D6 closely — it's only one note changing, but rushing it smudges the peaceful quality of the whole phrase. The trickiest moment is the shift to that F chord, which lives outside the key of A and can catch your fingers off guard; loop the bar before it and the bar after until the transition is smooth and confident. Once you nail that F, you'll have a real feel for how borrowed chords add emotional color — a skill that pays off in dozens of songs ahead.