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(Ab)Oh, my soul, oh, how you wor ry.
I Oh, how you’re wea ry from fear ing you (Ab)lost con trol.
’Cause This was the one thing you did n’t see (Eb)com ing, and no one would (Ab)blame you, though, if you cried in pri vate, if you tried to hide it a way so (Ab)no one knows, no one will see if you stop be liev ing.
(Eb)Oh, my soul,
you are (Cm)not a lone.
There’s a (Bb)place where fear has to (Ab)face the God you (Eb)know.
(Cm)One more day,
He will (Ab)make a way.
Let Him (Bb)show you how you can (Ab)lay this down,
’cause you’re not a lone.
(Ab)Here and now, you can be hon est.
I won’t try to prom ise that some day it (Ab)all works out.
’Cause this is the val ley, you and e ven (Eb)now He is breath ing on (Ab)your dry bones.
And there will be danc ing, if there will be beau ty where beau ty (Ab)ash and stone.
This much I know: if you stop be liev ing.
(Eb)Oh, my soul,
you are (Cm)not a lone.
There’s a (Bb)place where fear has to (Ab)face the God you (Eb)know.
(Cm)One more day,
He will (Ab)make a way.
Let Him (Bb)show you how you can (Ab)lay this down,
’cause you’re not a lone.
(Fm7)lay this down.
I’m not strong e nough; I can’t take an y more.
(You can lay it down, you can lay it down.) And my ship wrecked faith will nev er get me to shore.
(You can lay it down, you can lay it down.) Can He find me here?
Can He keep me from (Ab)go ing un der?
(Eb)Oh, my soul,
you are (Cm7)not a lone.
There’s a (Bb)place where fear has to (Ab)face the God you (Eb)know.
(Cm7)One more day,
He will (Ab)make a way.
Let Him (Bb)show you how you can (Ab)lay this down,
’cause you’re not a lone.
(Cm)Oh, my (Eb)soul, you’re not a (Absus2)lone.
This page shows “Oh My Soul” by Casting Crowns in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Ab at 78 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a great workout for your left hand — the Alberti bass pattern runs through much of the song, and in the key of A♭ that means your fingers need to feel at home on those black keys without tension. Start hands-separate at around 55 BPM and let the left-hand pattern become automatic before you layer in the right hand. You'll encounter thirteen chords here, including some lush extended voicings like Abmaj9, Cm7, and Fm7; the trickiest transitions tend to be moving between those wider-spread maj7/maj9 shapes and the suspended chords (Bbsus4 especially likes to catch people off guard). Watch for syncopated rhythmic pushes in the melody — at 78 BPM it feels relaxed, but those offbeat entrances still need deliberate counting, so tap and count before you play. Use the sustain pedal to connect chord changes smoothly, but lift cleanly on each new harmony to avoid mud. Loop the verse-to-prechorus transition until it's effortless — that's where most stumbles live. This is the piece that will genuinely solidify your comfort with extended chords in a flat key, and that skill transfers to so many songs ahead.