(C)Ahh,
(C)ahh,
(C)ahh,
(G)ahh.
(C)I’ve been watch ing you (C)for some time.
(C)Can’t stop star in’ at those (G)o cean eyes.
(C)Burn ing cit ies and (C)na palm skies.
(C)Fif teen flares in side those (G)o cean eyes,
your (G)o cean eyes.
No fair.
You real ly (C)know how to make me cry when you give me those (G)o cean eyes.
I’m scared.
I’ve nev er (C)fall en from quite this high.
Fall ing in to your (G)o cean eyes,
those (G)o cean eyes.
(C)I’ve been walk in’ through a (C)world gone blind.
(C)Can’t stop think in’ of your (G)dia mond mine.
(C)Care ful crea ture made (C)friends with time.
He (C)left her lone ly with a (G)dia mond mine
and those (G)o cean eyes.
No fair
No fair.
You real ly (C)know how to make me cry when you give me those (G)o cean eyes.
I’m scared.
I’ve nev er (C)fall en quite this high.
Fall in’ in to your (G)o cean eyes,
those (G)o cean eyes.
This page shows “Ocean Eyes” by Billie Eilish in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of E at 75 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a great way to develop your legato touch and sustain pedal control — both essential at this dreamy 75 BPM tempo. In the key of E major you'll be navigating four sharps, so let your fingers settle into that hand position early; the chord shapes around E, B, C#m, and A will start feeling natural faster than you think. Your left hand will likely carry arpeggiated or broken-chord patterns, so practice that hand alone first until the reach between intervals feels smooth and automatic. Watch the transitions into and out of C#m especially — that shift tends to trip people up when the right hand melody sustains over it. Use the pedal to connect notes, but change it cleanly with each chord shift or you'll get muddy harmonic overlap. Try looping the chorus at half speed until your hands sync comfortably, then bring it up to tempo. This is the piece that will really train your ear for smooth pedal changes and teach your hands to stay relaxed through slow, exposed passages — skills that pay off in everything you play next.