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Hey, Ni ki ta, is it cold
(C)in your lit tle cor ner of the world?
You could roll a round the globe
and nev er find a warm er soul to know.
Oh, I saw you by the wall,
ten of your tin sol diers in a row,
with eyes that looked like (D)ice on fire,
the hu man heart a cap tive in the snow.
Oh, Ni ki ta, (G)you will nev er know
an y thing a bout my home.
(C)I’ll (G)nev er know how good it feels to hold you.
Ni ki ta, I (G)need you so.
Oh, Ni ki ta, is the (C)oth er side
of an y giv en line in time
(G)count ing ten tin sol diers in a row?
(Em7)Oh (D7)no, Ni ki ta, you’ll (G)nev er know.
Do you ev er dream of me?
(C)Do you ev er see let ters I write?
When you look up through the wire,
Ni ki ta, do you count the stars at night?
Oh, And if there comes a time
guns and gates no long er hold you in,
and if you’re free to (D)make a choice,
just look to wards the west and find a friend.
Oh, Ni ki ta, (G)you will nev er know
an y thing a bout my home.
(C)I’ll (G)nev er know how good it feels to hold you.
Ni ki ta, I (G)need you so.
Oh, Ni ki ta, is the (C)oth er side
of an y giv en line in time
(G)count ing ten tin sol diers in a row?
(Em7)Oh (D7)no, Ni ki ta, you’ll (G)nev er know.
Oh, Ni ki ta, you will nev (Am7)Count ing ten tin sol diers in a (G)row.
(Am7)Count ing ten tin sol diers in a (G)row.
(Am7)Count ing ten tin sol diers in a (G)row.
This page shows “Nikita” by Elton John in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of G at 87 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a fantastic workout for navigating chromatic chord movement — with 21 chords including Ab, C#dim, and Fm sitting alongside your home key of G, your hands will constantly be shifting position, so stay relaxed and keep your wrists loose. Your left hand follows an octave bass pattern at a gentle 87 BPM, which gives you breathing room but also means every note is exposed, so aim for even, controlled touch. I'd suggest learning hands separately first, then focus on drilling the transitions around those chromatic passing chords — the move into Abmaj7 and the C#dim especially tend to trip people up if you haven't mapped the fingering in advance. Use the slow-tempo mode and loop those four-bar phrases until the shapes feel automatic. Pedal generously but change cleanly on each new bass note to avoid muddiness. This is the piece that'll make you genuinely comfortable playing outside your home key without panicking.