I grew up a dream ing with of be ing a cow boy, and (Bb)lov ing the cow boy (F)ways.
You Pur su ing the life of my high rid in’ he roes, I (G7)burned ing up well my your child days hood (C7)days.
I (F)learned all the rules ers of a mod ern day drift er, don’t I you the (Bb)hold on of to noth in’ fade too (F)long.
Just (Bb)take what you need dles from the (F)la dies then (Bb)leave them with the (F)words one of a (C7)sad coun try (F)song.
My (Bb)he roes have al ways been (F)cow boys,
and they still are, it (C7)seems.
(Bb)Sad ly in search of and (F)one step in (Bb)back of them (F)selves and their (C7)slow mov in’ (F)dreams.
Cow boys are spe cial with their own brand of mis ’ry from (Bb)be ing a lone too (F)long.
You could die from the cold in the arms of a night mare, I (G7)know ing up well that your best days are (C7)gone.
I (F)Pick in’ up hook ers of in stead of my pen er, don’t I let the (Bb)words on of my youth in’ fade a (F)way.
Just (Bb)Old worn out sad dles from and (F)old worn out (Bb)mem ’ries with with (F)no one of and (C7)no place to (F)stay.
My (Bb)he roes have al ways been (F)cow boys,
and they still are, it (C7)seems.
(Bb)Sad ly in search of and (F)one step in (Bb)back of them (F)selves and their (C7)slow mov in’ (F)dreams.
(F)dreams.
(Bb)dreams.
This page shows “My Heroes Have Always Been Cowboys” by Willie Nelson in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Bb at 120 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a great way to build confidence with octave bass patterns in your left hand — you'll stretch between root notes across a full octave on every chord change, so start hands-separate and really lock in those Bb, C7, F, and G7 positions until they feel automatic. The trickiest moment is the move from G7 to Bb: your left hand has to jump quickly, so loop that transition at half tempo until it's smooth. Your right hand carries a vocal-style melody that needs to breathe and sing, not rush — resist the urge to play ahead of the 120 BPM pulse, especially on the longer, melancholic phrases. Use a touch of sustain pedal on chord changes to cover the left-hand leaps, but lift cleanly so nothing blurs. Once this clicks, you'll have a solid octave-bass foundation you can carry into dozens of other country tunes.