Look at them yo yos, that’s the way you do it.
You play the gui tar on the (Bb5)M T (C5)V.
That ain’t work in’, that’s the way you do it.
Mon ey for noth in’ and your (F5)chicks for free.
See the lit ain’t tle fag got with the ear the way you do it.
Lem me tell ya dy, them his (Bb5)guys ain’t (C5)dumb.
(Gm7)May be get a blis ter on your lit tle fin ger.
That lit tle Ba by, get a (F5)blis ter on your thumb.
We got to in stall (Bb)mi cro wave ov ens,
cus tom kitch en de (F5)liv er ies.
We got to move these re frig er a tors, we got to move these (D5)col or T Vs.
See the lit ain’t tle fag got with the ear ring and the make up.
Lem me Yeah, bud dy, that’s his (Bb5)own ain’t (C5)hair.
(Gm7)May That lit tle fag got got his own jet air plane.
That lit tle fag got, he’s a (F5)mil ter lion aire.
thumb.
We got to in stall (Bb)mi cro wave ov ens,
cus tom kitch en de (F5)liv er ies.
We got to move these re frig er a tors, we got to move these (D5)col or T Vs.
I should a learned to play the gui tar.
He’s bang I should a them learned bon gos like to (C5)play them drums.
stick in’ in the cam era, man,
and get your (F5)chicks for free.
I should a learned to play the gui tar.
He’s bang ing on a them learned bon gos like a (C5)chim pan zee.
stick in’ in the cam era, man,
and get your (F5)chicks for free.
We got to in stall (Bb)mi cro wave ov ens,
cus tom kitch en de (F5)liv er ies.
We got to move these re frig er a tors, we got to move these (D5)col or T Vs.
(Gm7)Mon ey for noth in’,
chicks for free.
(Gm7)Mon ey for noth in’
and chicks for free.
(Gm7)Mon ey for noth in’,
chicks for free.
(Gm7)Mon ey for noth in’
and chicks for free.
This page shows “Money For Nothing” by Dire Straits in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of C at 120 BPM, a comfortable easy-level arrangement perfect for first-time learners.
This arrangement is a fantastic workout for power chords — six of the nine chords here are power shapes, so your right hand will get very comfortable snapping between Cpow, Dpow, Gpow, and their neighbors across the keyboard. The real challenge is your left hand: that walking bass line needs to stay locked in at 120 BPM while your right hand shifts between compact power chords and the fuller voicings like Gm7 and Bb. Start hands-separate — get that walking bass smooth and automatic before you layer anything on top. Once you combine hands, slow it down to around 80 BPM and loop the sections where you jump from a power chord into Gm7 or Eb, because that wider stretch tends to trip people up. Keep your wrist relaxed through the transitions and resist the urge to rush. By the end, your power-chord vocabulary and two-hand independence will feel noticeably sharper.