(E)You might have a (C#m)mom, she might be the (F#m7)bomb, but ain’t no bod y got a (B7sus)mom like mine.
(E)Her love’s till the (C#m)end, she’s my best (F#m7)friend.
Ain’t no bod y got a (B7sus)mom like (E)mine.
She’s my world,
she’s my heart
and there’s no de ny in’.
I’m her girl
no mat ter what,
e ven when I’m ly in’.
She (E)love a me love a me love a me love a me (C#m)love.
She loves me like a (F#m7)no
bod y else.
I’m (E)tell in’ you tell in’ you tell in’ you tell in’ you (C#m)all she taught me how to (F#m7)love
my self.
You might have a mom, she might be the bomb, but ain’t no bod y got a mom like mine.
Her love’s till the end, she’s my best friend.
Ain’t no bod y got a mom like (E)mine.
See, we go
way back.
Oh, I re mem ber
all the times
that I cried.
She made me feel bet ter.
She (E)love a me love a me love a me love a me (C#m)love.
She loves me like a (F#m7)no
bod y else.
I’m (E)tell in’ you tell in’ you tell in’ you tell in’ you (C#m)all she taught me how to (F#m7)love
my self.
(CN.C.)Hey.
You might have a mom, she might be the bomb, but ain’t no bod y got a mom like mine.
Her love’s till the end, she’s my best friend.
Ain’t no bod y got a mom like mine.
Oh,
how she loves me to the moon and back, what she told me.
Her love nev er ends, she’s my best friend.
Ain’t no bod y got a love like mine.
(E)You might have a (C#m)mom, she might be the (F#m7)bomb, but ain’t no bod y got a (B7sus)mom like mine.
(E)Her love’s till the (C#m)end, she’s my best (F#m7)friend.
Ain’t no bod y got a (B7sus)mom like mine.
Ain’t no bod y got a mom like mine.
Ba by, ba by, ain’t no bod y
no bod y got a mom like (CN.C.)mine.
This page shows “Mom” by Meghan Trainor in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of E at 120 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a great way to build confidence playing in the key of E, which means your fingers need to be comfortable sitting on those four sharps — G♯, D♯, C♯, and F♯. Your left hand follows a pedal bass pattern, so you'll mostly anchor on a repeated low note while your right hand moves through the chord changes. Watch the jump to that C major chord — it's borrowed from outside the key and will feel unexpected under your fingers, so isolate that transition early. The B to B7 shift is subtle (just one note drops) but easy to rush at 120 BPM; keep it clean. I'd suggest hands-separate first, then loop the chorus at around 80 BPM before bringing it up to tempo. The F♯m7 shape is worth drilling on its own — once that voicing feels natural, you'll find it showing up everywhere in pop. This one will genuinely sharpen your comfort with sharp keys, and that's a skill that pays off fast.