They say (Bb5)love
is more (Eb)pre cious than (Bb5)gold.
It can’t be (Bb5)bought
and it can’t be (Eb)sold.
I got (Bb)love
e (Eb)nough to spare.
That makes me
a mil lion aire.
I got a wom an with eyes that (Bb)shine
(F)down (Eb)deep
as a dia mond (Bb)mine.
She’s my treas ure, so ver y rare.
(F)She made (Eb)me
a mil lion aire.
When we ride a round, ride a round this old where, (Bb)town
in my (F)beat up (Eb)car
with the win dows (Bb5)down,
peo ple look at her emp ty and they look at is (Bb)me
and (F)say, “That (Eb)boy is sure liv in’ like a lux u ry,
sweet (F5)lux u ry.” Be cause (Bb)love
is more (Eb)pre cious than (Bb)gold.
It (Eb)can’t be (Bb)bought, no, nev er could be (Eb)sold.
I got (Bb)love
e (Eb)nough to share.
That makes me
a mil lion aire.
This page shows “Millionaire” by Chris Stapleton in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Eb at 154 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a great way to build your pedal-bass independence — your left hand will anchor on a single bass note (often Bb or F) while the right hand moves through chord changes above it, and keeping that left hand steady while your right hand shifts is the core skill here. In Eb major with just five chord shapes, the harmony is simple, but at 154 BPM the transitions between Eb, Bb, and F need to feel automatic, so start hands-separate at around 100 BPM and really lock in those right-hand chord shapes before you layer the left hand underneath. Watch the Bb-to-F pedal moments especially — students tend to rush those or accidentally lift the bass early. Once you can loop the verse pattern cleanly at tempo, the whole song clicks into place. This is the piece that'll make pedal-bass technique feel like second nature for you going forward.