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Oh, Mick ey, you’re so fine, you’re so fine you blow my mind, hey Mick ey!
Hey Mick ey!
Oh, Mick ey, you’re so fine, you’re so fine you blow my mind, hey Mick ey!
Hey Mick ey!
(B)Oh, Mick ey, you’re so fine, (A)you’re so fine you blow my mind, hey (B)Mick ey!
Hey Mick ey!
Oh, Mick ey, you’re so fine, (A)you’re so fine you blow my mind, hey (B)Mick ey!
Hey Mick ey!
You’ve (B)been a round all night it to and (A)that’s a lit tle long, you (B)think you’ve got the right, I but it, I (A)think you’ve got it wrong.
Why (B)can’t we say good night so (A)you can take me home, Mick ey?
’Cause (B)when you say you will it to it (A)al ways means you won’t.
You’re (B)giv ing me the chills, to ba it, by (A)please, tle ba by don’t.
There’s (B)Ev ’ry night you still so (A)leave me me a lone, Mick ey.
So
(E)Oh, Mick ey, (A)what a pit y (E)you don’t un der (B)stand you (A)take me by the heart when you (B)take me by the hand.
(E)Oh, Mick ey, (A)you’re so pret ty, (E)can’t you un der (B)stand it’s (A)guys like you, Mick ey,
oh, what you (B)do Mick y, do Mick ey, don’t break my heart, Mick ey.
Now when you
Oh, Mick ey, you’re so fine, you’re so fine you blow my mind, hey Mick ey!
Hey Mick ey!
Oh, Mick ey, you’re so fine, you’re so fine you blow my mind, hey Mick ey!
Hey Mick ey!
(B)Oh, Mick ey, you’re so fine, (A)you’re so fine you blow my mind, hey (B)Mick ey!
Hey Mick ey!
Oh, Mick ey, you’re so fine, (A)you’re so fine you blow my mind, hey (B)Mick ey!
(E)Oh, Mick ey, (A)what a pit y (E)you don’t un der (B)stand you (A)take me by the heart when you (B)take me by the hand.
(E)Oh, Mick ey, (A)you’re so pret ty, (E)can’t you un der (B)stand it’s (A)guys like you, Mick ey,
oh what you (B)do Mick y, do Mick ey, don’t break my heart, Mick ey.
(E)Oh, Mick ey, (A)what a pit y (E)you don’t un der (B)stand you (A)take me by the heart when you (B)take me by the hand.
(E)Oh, Mick ey, (A)you’re so pret ty, (E)can’t you un der (B)stand it’s (A)guys like you, Mick ey,
oh what you (B)do Mick y, do Mick ey, don’t break my heart, Mick ey.
This page shows “Mickey” by Toni Basil in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of E at 136 BPM, a slightly more challenging arrangement — practice each phrase slowly first.
This arrangement will seriously test your left hand's stamina — that oompah bass pattern at 136 BPM means you're bouncing between low bass notes and upper chord hits at a relentless pace, so start at around 90 BPM and build up gradually. Your four chords are E, A, B, and C, and that C chord is the curveball — it's not native to the key of E, so the shift out of those sharps and back again can trip you up mid-flow. Drill the B-to-C and C-to-E transitions hands-separate until they feel automatic. Your right hand carries a syncopated melody that loves to land just before the beat, so count eighth notes out loud early on. Once both hands are confident alone, combine them in four-bar loops before stringing sections together. This is the piece that'll lock in your ability to keep a driving left-hand pattern steady while your right hand floats freely on top — a skill you'll use in almost every pop song from here on out.