If (F5)I had mon ey I tell you what I’d do, I’d go down town and buy a Mer cur y or two.
I’m (Bb)cra zy ’bout a Mer cur y.
I’m (F5)cra zy ’bout a Mer cur y.
I’m gon na (Dm)buy me a Mer cur y and (C)cruise it up and down the road.
The girl I love, I stole her from a friend.
He got luck y, stole her back a gain ’cause she’d (Bb)known he had a Mer cur y.
She’d (F)known he had a Mer cur y.
I’m gon na (Dm)buy me a Mer cur y and (C)cruise it up and down the road.
(F5)I had mon ey I tell you what I’d do, I’d go down town and buy a Mer cur y or two.
I’m (Bb)cra zy ’bout a Mer cur y.
I’m (F5)cra zy ’bout a Mer cur y.
I’m gon na (Dm)buy me a Mer cur y and (C)cruise it up and down the road.
The girl I love, I stole her from a friend.
He got luck y, stole her back a gain ’cause she’d (Bb)known he had a Mer cur y.
She’d (F)known he had a Mer cur y.
I’m gon na (Dm)buy me a Mer cur y and (C)cruise it up and down the road.
Hey, by now ma ma, you look n’t so fine She bought her rid in’ ’round c’ry, in your Mer c’ry For ty nine.
I’m (Bb)cra zy ’bout a Mer cur y.
I’m (F)cra zy ’bout a Mer cur y.
I’m gon na (Dm)buy me a Mer cur y and (C)cruise it up and down the road.
My ba by went out.
ma, she did n’t stay long.
She bought her self a Mer c’ry, come a cruis in’ For home.
nine.
I’m (Bb)cra zy ’bout a Mer cur y.
I’m (F)cra zy ’bout a Mer cur y.
I’m gon na (Dm)buy me a Mer cur y and (C)cruise it up and down the road.
My
If (F5)I had mon ey I tell you what I’d do, I’d go down town and buy a Mer cur y or two.
I’m (Bb)cra zy ’bout a Mer cur y.
I’m (F5)cra zy ’bout a Mer cur y.
I’m gon na (Dm)buy me a Mer cur y and (C)cruise it up and down the road.
I’m gon na (Dm)buy me a Mer cur y and (C)cruise it up and down the road.
This page shows “Mercury Blues” by Alan Jackson in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Bb at 170 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a fantastic workout for your left hand — that octave bass pattern at 170 BPM demands real accuracy, so start at around half tempo and lock in the spacing before you chase speed. Your five chords (Bb, C, Dm, F, and an F power chord) sit close together on the keyboard, but the Bb shape is the one that'll trip you up most because of the two flats; make sure your thumb and fingers land together cleanly every time. Practice the Bb-to-F transition in isolation — it's the most common move here and needs to feel automatic. Right hand can handle the melody while your left drives that bouncy, country-rock pulse, so work hands separately first until each feels easy on its own. When you put them together, loop the first eight bars until the groove sits in your body, not just your head. Once this clicks, you'll have real confidence with octave bass patterns and flat-key chord shapes — two skills that open up a huge range of repertoire beyond this song.