Where (G)should we run to?
(A)We got the world in (Bm)our hands and we’re rea dy to play.
They (G)say we’re wast ed, but (A)how come we’re wast ed (Bm)if we’re lov ing ev er y day?
(G)O kay, (A)I got the keys (Bm)to the u ni verse, so stay with (G)me, ’cause (A)I got the keys, (Bm)babe.
Don’t wan na (Em)wake up one day wish ing that (G)we’d done more.
I wan na (Bm)live fast and nev er look back, that’s what (A)we’re here for.
Don’t wan na (Em)wake up one day won der ing (G)where’d it all go.
’Cause we’ll be home be fore we know, I wan na (CN.C.)hear you sing it.
(Bm)Hey, ma ma (G)don’t stress your mind, (A)we com (Bm)ing home to night.
Hey, ma, we (G)gon na be al right, (A)dry those (Bm)eyes.
We’ll be back in the (G)morn ing, when the (A)sun starts to (Bm)rise.
So, ma ma don’t stress your mind, so, ma ma don’t (A)stress your mind.
This page shows “Mama” by Spice Girls in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of D at 104 BPM, a slightly more challenging arrangement — practice each phrase slowly first.
This arrangement is a great way to build left-hand independence thanks to its oompah bass pattern — your left hand alternates between a low root note and a mid-range chord chunk on every beat, which at 104 BPM sits in a comfortable sweet spot for beginners. Start hands-separate and really lock in that left-hand pulse before adding the melody. Of your six chords, watch the move into B minor — it's the one shape that tends to trip people up, so loop any passage where it appears until the transition feels automatic. Also keep an ear out for the C major chord; it's borrowed from outside the key of D and gives the song its warmth, but it can catch you off guard if you're not expecting it. Once this clicks, you'll have a solid oompah feel you can carry into dozens of other songs.