(C)Thought I found a way,
(E)thought I found a way out.
But you (C)nev er go a way,
so I (E)guess I got ta stay now.
Oh, I hope some (C)day I’ll make it (E)out of (B)here, e ven if it (C)takes all night or a (E)hun dred (B)years.
Need a place to (C)hide, but I can’t (E)find one (B)near.
Wan na feel a (C)live, out side I can’t (E)fight my (B)fear.
(C)Is n’t it love ly,
all a lone?
(E)Heart made of glass, my (B)mind of stone.
(C)Tear me to piec es,
skin to bone.
Hel lo, (B)wel come home.
Walk ing out of time,
(E)look ing for a bet ter place.
(C)Some thing’s on my mind,
(E)al ways in my head space.
But I know some (B)wel come home.
Oh,
yeah.
(C)Yeah,
ah.
Oh, oh.
Hel lo, (B)wel come home.
This page shows “Lovely” by Billie Eilish in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of G at 115 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a great way to develop your sense of sustained, atmospheric playing — the kind where every note needs to breathe. In the key of G at 115 BPM, the tempo feels moderate but the real challenge is keeping your rhythm steady through long, spacious phrases where it's tempting to rush. Your left hand will work through arpeggiated patterns that repeat with subtle shifts, so drill those shapes hands-separate first until they feel automatic. Watch the transitions carefully — a couple of chord changes sneak up a half-beat early, and if your left hand hesitates, the whole groove stalls. Use the sustain pedal generously but cleanly, changing it with each new chord to avoid muddiness. Once both hands are comfortable, loop the verse section at a slower tempo before bringing it up to speed. The biggest stumbling point is dynamics: this piece falls flat if you play everything at one volume, so shape your phrases softly and let the chorus sections swell. This is the song that'll really train your ear for expressive pedaling and gentle control.