I get (C)lost
in your eyes
and I (C)feel
my spir its (F)rise and soar (G)like the wind.
Is it love that (F)I am (C)in?
I get (C)weak
in a glance.
Is n’t this
what’s called ro (F)mance?
And now (G)I know
’cause when I’m (F)lost I can’t let go.
(F)I don’t mind not (F)know ing what I’m (C)head ed for.
You can take me to the skies.
It’s like (G)be ing lost in (Em)heav en
when (Dm)I’m (Em)lost in your (F)eyes.
I just (C)fell,
don’t know why.
Some thing’s there
we can’t de ny.
And when I (G)first (Am)knew
was when (F)I first looked at you.
And if (D)I
can’t find my way,
if sal (D)va tion
seems worlds a (G)way, oh, I’ll be (Bm)found
when I am (Em)lost
in your (D)eyes.
Oh (D)whoa.
(G)I don’t mind not (A)know ing what I’m (D)head ed for.
You can take me to the skies.
It’s like (A)be ing lost in (F#m)heav en
when (Em)I’m (F#m)lost in your (Asus)eyes.
I get (D)weak
in a glance.
Is n’t this
what’s called ro (G)mance?
Oh, I’ll be (Bm)found
when I am (Em)lost
in your (D)eyes.
Oh.
This page shows “Lost In Your Eyes” by Debbie Gibson in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of C at 90 BPM, a comfortable easy-level arrangement perfect for first-time learners.
This arrangement is a beautiful way to stretch your chord vocabulary — seventeen chords in the key of C means you'll move well beyond basic triads into shapes like A#dim, F#7, and Asus4 that add real color to the harmony. Your left hand follows an oompah bass pattern throughout, alternating root notes with upper chord tones, so lock that in hands-separate first until it feels automatic. At 90 BPM the tempo is forgiving, but watch the transitions into those chromatic chords — moving from Am to A#dim or landing F#m cleanly will trip you up if you haven't isolated those two-bar phrases slowly. Use the pedal to smooth over each bass-chord pair, lifting precisely on chord changes so nothing muddies together. Loop any section where your eyes jump ahead of your fingers. By the end, you'll be genuinely comfortable with borrowed chords and diminished shapes — skills that unlock dozens of ballads after this one.