(C)Oh, (Bb)yeah, yeah, (F)oh, (Gm)yeah, yeah, yeah, yeah.
(C)Oh, (Bb)yeah, yeah, (F)oh, (Gm)yeah, yeah, yeah, yeah.
I nev er had much faith in love (F)or (Gm)mir a cles.
Nev er want (C)to (Bb)put my heart (F)on the (Gm)line.
O pen up But swim ming (C)your (Bb)world is some (F)thing (Gm)spir it u
I’m born a gain (C)ev ’ry (Bb)time you spend (F)the (Gm)night,
ee i ee ight.
(C)’Cause your (Dm)sex takes me (C)to (Bb)par a dise, (F)yeah, your (Gm)sex takes me to par a dise.
And it shows,
yeah, yeah, yeah.
’Cause you make me (Bb5)feel like
I’ve been locked out of heav en
for too (F)long,
for too (Csus)long.
Yeah, you make me (Bb5)feel like
I’ve been locked out of heav en
for too (F)long,
for too (Csus)long.
(F)Oh, (Gm)yeah, yeah, yeah, yeah.
(C)Oh, (Bb)yeah, yeah, (F)oh, (Gm)yeah, yeah, yeah, yeah.
(Bb5)Oh,
(Gm7)yeah.
Can I just (F)stay here,
spend the rest of my (Csus)days (C)here?
(Bb5)Oh,
(Gm7)yeah.
Can I just (F)stay here,
spend the rest of my (Csus)days (C)here?
’Cause you make me (Bb5)feel like
I’ve been locked out of heav en
for too (F)long,
for too (Csus)long.
Yeah, you make me (Bb5)feel like
I’ve been locked out of heav en
for too (F)long,
for too (Csus)long.
(F)Oh, (Gm)yeah, yeah, yeah, yeah.
(C)Oh, (Bb)yeah, yeah, (F)oh, (Gm)yeah, yeah, yeah, yeah.
This page shows “Locked Out Of Heaven” by Bruno Mars in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Bb at 145 BPM, a comfortable easy-level arrangement perfect for first-time learners.
This arrangement is a great way to build confidence with B♭ major territory — a key that feels unfamiliar at first but quickly becomes second nature once your hands learn the neighborhood. Your left hand gets a walking bass line, so practice that separately at around 100 BPM before bringing it up to the full 145; the steady motion needs to feel automatic so it doesn't pull focus from your right hand's chord work. Watch the shift between Gm7 and Csus4 especially — that suspension wants to resolve, and rushing it is the most common stumble I see. The power chords (B♭pow, Cpow) are your friends here: they're slim two-note shapes that give you breathing room during faster passages. Try looping the chorus progression hands-together at a slow tempo until the Dm–F–C–B♭ movement feels like muscle memory, then gradually speed up. This is the song that'll lock in your comfort with flat-key chord transitions, and that skill pays off in dozens of pop tunes down the road.