This night is (B)cold in the king dom.
I can feel you (A)fade a way
from the kitch en to the (B)bath room sink, and
your steps keep (A)me a wake.
Don’t (C#m)cut me down, throw me out, (B6)leave me here to waste.
I (G#m)once was a man with (A)dig ni ty and grace.
Now I’m (C#m)slip ping through the cracks of your (B6)cold em brace.
So (G#m)please,
please,
could you (C#m)find a way to let me down (G#m)slow ly?
A lit tle (G#m)sym pa thy I hope you can (A)show me.
If you (C#m)wan na go, then I’ll be so (G#m)lone ly.
If you’re (G#m)leav ing, ba by, let me down (A)slow ly.
Let me down, (C#m)down, let me down, down.
(G#m)Let me down, let me down, (G#m)down.
Let me down, down, (A)let me down.
If you (C#m)wan na go, then I’ll be so (G#m)lone ly.
If you’re (G#m)leav ing, ba by, let me down (A)slow ly.
Cold skin, drag my (B6)feet on the tile,
as I’m walk ing down the (A)cor ri dor.
And I know we have n’t (B6)talked in a while,
so I’m look ing for an (A)o pen door.
Don’t (A)slow ly.
And I can’t (C#m)stop my self from fall ing
down.
And I can’t (C#m)stop my self from fall ing
down.
And I can’t (C#m)stop my self from fall ing
down.
And I can’t (C#m)stop my self from fall ing
down.
And I can’t
Could you (C#m)find a way to let me down (G#m)slow ly?
A lit tle (G#m)sym pa thy I hope you can (A)show me.
If you (C#m)wan na go, then I’ll be so (G#m)lone ly.
If you’re (G#m)leav ing, ba by, let me down (CN.C.)slow ly.
Let me down, (C#m)down, let me down, down.
(G#m)Let me down, let me down, (G#m)down.
Let me down, down, (A)let me down.
If you (C#m)wan na go, then I’ll be so (G#m)lone ly.
If you’re (G#m)leav ing, ba by, let me down (A)slow ly.
If you (C#m)wan na go, then I’ll be so (G#m)lone ly.
If you’re (G#m)leav ing, ba by, let me down (CN.C.)slow ly.
This page shows “Let Me Down Slowly” by Alec Benjamin in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of E at 74 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a great way to build confidence with block chords in the key of E, where your left hand will sit comfortably around shapes like C#m, G#m, A, and B for most of the song. The block bass pattern keeps your left hand steady—no fancy arpeggios—so focus on clean, even transitions between chord shapes. Watch out for that C major chord: it's borrowed from outside the key and will feel like a surprising hand shift, so isolate any passage containing it and loop it slowly until the move feels automatic. The B6 voicing is another one to drill on its own before playing through. At 74 BPM you have breathing room, but don't rush—start even slower, hands separate, and lock in the rhythm before combining. This is the piece that'll make your minor-chord transitions in sharp keys feel second nature.