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She keeps (Cm)Mo et and Chan don she (Bb)in her pret ty cab i net.
(Cm)“Let them con eat cake,” she says, (Bb)just like Ma rie (Eb)An toi nette.
A (Bb)built a in from rem e dy for (Ab)Khru shchev Gei and Ken ne dy, and (Eb)an y time an ci in vi ta tion you’re (Bb11)you can de cline.
Per fume came (Cm)Cav i ar and cig a rettes, for (Eb)well versed could in et i quette, ex (D7)tr’or di nar i ly (Gm)nice.
(F7)She’s a (Bb)kill er (Dm)queen, (Gm)gun pow der, (Dm)gel a tine, (Gm)dy na mite with a (A7)la ser (Dm)beam, (G7)guar an teed to blow your (C)mind,
an y time, ooh.
(A7)Rec om mend ed (Dm)at the price, in (G7)sa tia ble an (Cm)ap pe tite,
wan na try.
To a (Cm)void com pli ca tions, she (Bb)nev er kept the same ad dress, (Cm)“Let in con ver sa tion she (Bb)spoke just like a (Eb)bar on ess.
A (Bb)Met a man from Chi na, dy went (Ab)down to Gei sha Mi ne nah, and (Eb)then a gain in ci den tal ly if you’re (Bb11)that way in clined.
Per fume came (Cm)nat ’ral ly from Par a is, for (Eb)cars she could n’t care i less, fas (D7)tid ious and pre ly (Gm)cise.
(F7)She’s a (Bb)kill er (Dm)queen, (Gm)gun pow der, (Dm)gel a tine, (Gm)dy na mite with a (A7)la ser (Dm)beam, (G7)guar an teed to blow your (C)mind,
an y time, ooh.
(A7)Rec om mend ed (Dm)at the price, in (G7)sa tia ble an (Cm)ap pe tite,
wan na try.
To a
Drop of a (G7)hat she’s as (Cm)will ing as (G7)play ful as a (Cm)pus sy cat, then (Bb)mo men tar i ly (Eb)out of ac tion, (Bb)tem po rar i ly (Eb)out of gas; to (D7)ab so lute ly (Gm)drive (F)you (Bb)wild,
(F)wild.
(She’s out to get you.) She’s a (A7)Rec om mend ed (Dm)at the price, in (G7)sa tia ble an (Cm)ap pe tite,
what a drag.
This page shows “Killer Queen” by Queen in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of F at 115 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a fantastic workout for your chord vocabulary — twenty distinct chords in the key of F means your hands will navigate chromatic shifts you won't find in simpler pop songs. Pay special attention to the major-to-minor pivots like Bb to Bbm and Ab to Abm; those single-note changes in the chord shape are easy to miss at 115 BPM if you haven't drilled them slowly first. Your left hand plays a block bass pattern, so keep it steady and confident — it's the anchor while your right hand handles the melodic rhythm, which leans into light syncopation in the verses. I'd suggest learning hands separately, then looping the verse and chorus transitions at around 70 BPM before bringing it up to tempo. The trickiest stumbling point is usually the quick walk through Cm7–D7–Gm — isolate those three bars until they feel automatic. This is the piece that will genuinely build your comfort with chromatic chord movement, a skill that unlocks so much of the rock and jazz-inflected repertoire ahead of you.