Je sus, don’t cry.
You can re (Bb)ly on me, hon ey.
You can com bine an y thing you want.
I’ll be a round.
You were (Bb)right a bout the stars.
Each one is a set ting sun.
Tall (F)build ings shake,
(Dm)voic es es cape, sing ing sad, sad songs tuned to chords strung down your (F)cheeks.
(Dm)Bit ter mel o (Dm)dies (Bb)turn ing your or bit a round.
Je Don’t don’t cry.
You can re (Bb)ly on me, hon ey.
You can come by an y time you want.
I’ll be a round.
You were (Bb)right a bout the stars.
Each one is a set ting sun.
Tall (F)build ings shake,
(Dm)voic es es cape, sing ing sad, sad songs tuned to chords strung down your (F)cheeks.
(Dm)Bit ter mel o (Dm)dies (Bb)turn ing your or bit a round.
Voic es whine.
Sky scrap ers are scrap ing to geth er.
Your voice is smok ing (F)last cig a (F)rettes are (Dm)all you can (Dm)get, (Bb)turn ing your or bit a round.
Our love,
our love,
our love is all we have.
Our love,
our love is (Bb)all of God’s mon ey.
Ev ’ry one is a burn ing sun.
(Bb)Last cig a rettes are (F)all you can (F)get.
(Bb)Turn ing your or bit a round.
(Bb)Last cig a rettes are (F)all you can (F)get.
(Bb)Turn ing your or bit a round.
This page shows “Jesus, Etc.” by Wilco in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of G at 120 BPM, a comfortable easy-level arrangement perfect for first-time learners.
This arrangement is a great way to build comfort with minor chords and flat-side harmony — your six chords (Am, Bb, C, Dm, F, Gm) sit beautifully together but include Bb and Gm, which will ask your fingers to find B-flats confidently. Your left hand carries an Alberti bass pattern throughout, so start hands-separate and lock that rolling motion in at around 80 BPM before bringing it up to 120. The peaceful ballad feel means evenness matters more than speed — keep your Alberti pattern smooth and unhurried. The trickiest moment for most students is the shift into Bb: land your thumb on that B-flat early and let the rest of the chord settle around it. Once that transition feels natural, loop the passage a few times to cement it. This is the piece that'll make flat-key chords stop feeling foreign under your hands.