(D)Grand it er earth has quaked be (Em)fore,
moved ven by the sound of His (Em)voice.
And this (G)Seas that are shak en and (Em)stirred
can be (G)calmed and bro ken for (D)my re (Em)gard.
And through it (C)all,
through it (D)all,
my (Em7)eyes are on You.
And through it (C)all,
through it (D)all, it is well.
And through it (C)all,
through it (D)all,
my (Em7)eyes are on You, and it is well
with me.
Far (D)Grand it from me to not be (Em)lieve,
moved ven when my eyes canβt His (Em)see.
And this (G)moun tain thatβs in front of (Em)me
will be (G)thrown in to the midst (D)of the (Em)sea.
And through it (C)all,
through it (D)all,
my (Em7)eyes are on You.
And through it (C)all,
through it (D)all, it is well.
And through it (C)all,
through it (D)all,
my (Em7)eyes are on You, and it is well
with me.
Far
it is well.
So let go,
my soul,
and trust
in Him.
The waves and wind
still know
His name.
So let go,
my soul,
and trust
in Him.
The waves and wind
still know
His name.
So let go,
still know
His name.
The waves and wind
still know
His name.
And it is (C)well
with (D)my (Em)soul.
It (Gmaj7)is (C)well
with (D)my
soul.
It (Gmaj7)is (C)well
with (D)my
soul.
It (Gmaj7)is (C)well,
it is (G)well
(D)with
my soul.
Oh, it (Em9)is (C)well
with (D)my (Em)soul.
It (Gmaj7)is (C)well
with (D)my
soul.
It (Gmaj7)is (C)well
with (D)my
soul.
It (Gmaj7)is (C)well,
it is (G)well
(D)with
my soul.
Oh, it (Em9)is
It is (C)well,
it is (G)well
(D)with
my soul.
It (Gmaj7)is (C)well,
it is (G)well
(D)with
my soul.
And through it (C)all,
through it (D)all,
my (Em7)eyes are on You.
And through it (C)all,
through it (D)all, it is well.
And through it (C)all,
through it (D)all,
my (Em7)eyes are on You, and it is well
with me.
This page shows βIt Is Wellβ by Bethel Music in our color-coded kid songbook view β every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of G at 64 BPM, a medium-difficulty arrangement β try slowing the tempo down using the BPM control.
This arrangement is a beautiful exercise in patience and voicing β at 64 BPM, every note has room to breathe, which means sloppy transitions will really stand out. Your left hand follows an oompah bass pattern (root, then chord tones up an octave), so lock that in hands-separate first until it feels automatic. The real challenge is your right hand navigating ten chord shapes, especially the subtle shifts between Em, Em7, and Em9 β often just one finger lifts or moves a half step. Same with Csus2 resolving to C and Dsus4 to D; keep your hand anchored and move only what needs to move. Use the sustain pedal generously but change it cleanly on each chord switch, or you'll get mud. Try looping the verse progression slowly until those suspended chords feel like home. This is the song that will make extended voicings second nature for you.