There are (A)plac es I’ll re (F#m)mem ber
all my (D)life,
(Dm)one though (A)some have changed.
Some for ev er, not for (F#m)bet ter;
some have (D)gone of (Dm)love and (A)some re main.
All these (F#m)plac es had er their af (D)mo ments
with (G)lov ers and friends
I (A)still can re call.
Some are (F#m)dead I’ll and ten some and are a (B7)liv ing,
in (Dm)my
life I’ve (A)loved them all.
But of (A)all these friends and (F#m)lov ers
there is (D)no
(Dm)one com (A)pares with you.
And these mem ’ries lose their (F#m)mean ing
when I (D)think of (Dm)love as (A)some thing new.
Tho’ I (F#m)know I’ll nev er lose af (D)fec tion
for (G)peo ple and things
that (A)went can be fore, Some I (F#m)know I’ll of ten stop and think a (B7)bout them,
in (Dm)my
life I (A)love you more.
Tho’ I
In (Dm)my
life I (CN.C.)love you (A)more.
This page shows “In My Life” by The Beatles in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of A at 80 BPM, a comfortable easy-level arrangement perfect for first-time learners.
This arrangement is a lovely way to settle into a steady left-hand oompah pattern — bass note, chord, bass note, chord — at a relaxed 80 BPM that gives you time to breathe. Your right hand carries a singing, vocal-style melody, so aim for smooth, connected lines and resist the urge to rush phrases. The real challenge here is the chord variety: nine chords means your left hand will meet some unexpected shapes like Dm, C, and G that sit outside the key of A. These borrowed chords can trip you up mid-flow, so isolate those transitions hands-separate first and loop them until the jumps feel automatic. Watch the move from F#m into A7 especially — keep your thumb anchored as a pivot. Once the left hand feels steady on its own, layer the melody back in at half tempo. This is the piece that'll make borrowed chords feel like old friends instead of strangers.