I like to see you,
but then a gain, it,
that does n’t (A7)mean you mean that (Dm)much to me.
So if I call you,
don’t make a fuss,
don’t tell your (A7)friends a bout the (Dm)two of us.
I’m not in love,
no, (C)no!
It’s be (F)cause
I’m not in love, you,
so don’t for get it,
it’s just a (A7)sil ly phase I’m (Dm)go ing through.
And just be cause you,
I call you up,
don’t get me (A7)wrong, don’t think you’ve (Dm)got it made.
I’m not in love,
no, (C)no!
It’s be (F)cause
(F)cause.
(F6/9)Be quiet, big boys don’t cry, big boys don’t cry, big boys don’t cry, big boys don’t cry, big boys don’t cry, big boys don’t cry,
I keep your pic ture
up on the wall,
it hides a (A7)nas ty stain that’s (Dm)ly ing there.
So don’t you ask me
to give it back.
I know you know it (A7)does n’t mean that (Dm)much to me.
I’m not in love,
no, (C9)no!
It’s be (F)cause.
(Bbm7)Ooh,
you’ll (Eb7)wait a long time for (Ab)me.
(Bbm7)Ooh,
you’ll (Eb7)wait a long time
(Bbm7)Ooh,
you’ll (Eb7)wait a long time for (Ab)me.
(Bbm7)Ooh,
you’ll (Eb7)wait a long time
I’m not in love,
I’m not in love.
This page shows “I'm Not In Love” by 10Cc in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Bb at 132 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a fantastic workout for your extended chord vocabulary — you'll navigate seventeen different shapes including Fmaj9, C9, and Fm7, which means your right hand needs to stay relaxed and efficient as it shifts between dense voicings. Your left hand holds a pedal bass pattern throughout much of the piece, so the real challenge is keeping that anchor steady while your right hand moves through chromatic transitions like Bb to Ab or Dm to A7. Start hands-separate at around 90 BPM and focus on memorizing the chordal geography before you layer hands together. The trickiest stumbling point is usually the shift into those dominant seventh shapes — Eb7, C7, Bbdom — so loop those bars until the fingering feels automatic. Once you bring it up to 132 BPM, use sustained pedal to capture the song's dreamy, melancholic wash. This is the piece that'll make ninth chords feel like home under your fingers.