(CN.C.)If
I
should stay,
I would on ly be in your way.
So I’ll go,
but I know
I’ll think of you ev ’ry step of the way.
And (Ab)I
will (Eb)al ways love (Ab)you.
I
will (Eb)al ways love (Ab)you,
(Db)you,
my (Ab)dar ling, you.
(Bbm7)Mm.
(Bbm)Bit ter (Ab)sweet
(Bbm)mem o (Ab)ries,
that is (Fm)all I’m (Cm)tak ing with (Db)me.
So, good (Ab)bye.
Please, don’t (Ab)cry.
(Eb)We both (Fm)know I’m not (Cm)what you, you (Dbmaj7)need.
And I
will (Eb)al ways love (Ab)you.
I
will (Eb)al ways love (Ab)you.
I (Ab)hope
life (Bbm)treats you (Ab)kind,
(Eb)and I (Fm)hope you have (Cm)all you dreamed (Db)of.
And I wish (Ab)you joy and hap pi (Ab)ness.
But a bove all (Fm)this, I (Cm)wish you (Dbmaj7)love.
And (Bb)I
will (F)al ways love (Bb)you.
I will (Cm7)al (F)ways love (Bb)you.
I will (Ebmaj7)al (F)ways love (Bb)you.
(Gm)I will (Cm7)al (F)ways love (Bb)you.
(Ebmaj7)I will (F)al ways love (Bb)you.
(Ebmaj7)I, I will (F)al ways love (CN.C.)you,
(Ebmaj7)you.
Dar ling, I (Bb)love you.
Ooh, I’ll (Eb)al ways, I’ll (F)al ways love (Bb)you.
This page shows “I Will Always Love You” by Whitney Houston in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Db at 120 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement sits in Db major, so your hands will live mostly on black keys — get comfortable with that terrain before you speed up. Your left hand uses a pedal bass pattern, meaning you'll anchor on one low note while the harmony shifts above it, which sounds gorgeous but demands independent hands, so practice them separately first. With fifteen chords including Bbm7, Cm7, and Ebmaj7, the trickiest moments are the transitions between extended shapes — particularly moving from Cm7 to Dbmaj7 and navigating the key-change passages where chords like F, C, and Gm suddenly appear under your fingers. Loop those modulation sections at half tempo until the new hand positions feel automatic. At 120 BPM the ballad phrasing is spacious, so resist rushing; let each chord breathe. This is the piece that will genuinely solidify your confidence with major seventh voicings and smooth chromatic chord movement.