You are
my (D)fi (A)re, the one
de (D)si (A)re.
Be lieve (F#m)know
when (A)I say
that (F#m)I want it (E)that (A)way.
But we
are (D)two (A)worlds a part.
Can’t (D)reach (A)to your heart (F#m)know
when (A)you say
but (F#m)I want it (E)that (A)way.
But we (E)that (A)way.
Tell me (D)why.
Ain’t noth in’ but a (E)heart (F#m)ache.
Tell me (D)why.
Ain’t noth in’ but a (E)mis (F#m)take.
Tell me (D)why.
I nev er wan na (E)hear you (A)say
(F#m)I want it (E)that (A)way.
Am I (C#sus)that (C#)way.
(F#m)Now I can see that we’ve fall en a part from the (D)way that it used to be, yeah.
No (F#m)mat ter the dis tance, I (A)want you to know that (D)deep down in side of me
(E)you are
my (E)fi (F#m)re, the one
de (E)si (F#m)re.
You are, you are, you are, you (A)are.
Don’t wan na hear you (E)say...
noth in but a (F#)heart (G#m)ache.
(E)Ain’t noth in but a (F#)mis (G#m)take.
(E)I nev er wan na (F#)hear you (B)say
I
want it (F#)that (B)way.
Tell me (E)why.
Ain’t noth in’ but a (F#)heart (G#m)ache.
Tell me (E)why.
Ain’t noth in’ but a (F#)mis (G#m)take.
Tell me (E)why.
I nev er wan na (F#)hear you (B)say
(G#m)I want it (F#)that (B)way.
Tell me (E)why.
Ain’t noth in’ but a (F#)heart (G#m)ache.
Tell me (E)why.
Ain’t noth in’ but a (F#)mis (G#m)take.
Tell me (E)why.
I nev er wan na (F#)hear you (B)say
(G#m)I want it (F#)that (B)way.
Tell me (F#)that (B)way.
’Cause (G#m)I want it (F#)that (B)way.
This page shows “I Want It That Way” by Backstreet Boys in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of A at 100 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a great way to build confidence with an oompah bass pattern in your left hand — that steady root-chord, root-chord pulse at 100 BPM gives the ballad its gentle drive, so keep it relaxed and even before you add anything on top. Your biggest challenge will be the eleven chords, especially moving between C♯sus4 and C♯, and Esus4 to E — those sus4 resolves need to feel smooth, so isolate them and drill the finger swap slowly until it's automatic. I'd suggest learning hands separately first, locking in the left-hand bass until it feels almost boring, then layering in the right-hand melody. Watch the F♯m to G♯m transition; that whole-step shift up can catch you off guard mid-phrase. Once it clicks, loop the chorus a few times at around 70 BPM and gradually bring it up to tempo. This is the song that'll really solidify your sus4 resolutions and make them feel like second nature.