I ain’t got no mon ey.
I ain’t na like those (Ebmaj9)oth (Bb)er (Ebmaj9)guys you hang a round.
(Eb69)It’s kind (F6)of fun ny,
that can do but they (Ebmaj9)al (Bb)ways (Ebmaj9)seem to let you down.
And (Eb69)I get (F6)dis cour aged,
’cause I (Ebmaj9)nev (Bb)er (Ebmaj9)see you an y more.
(Eb69)I need (F6)your (Ebmaj9)love, ba by.
But That’s (Ebmaj9)all (Bb)I’m (Ebmaj9)liv in’ for.
I did n’t wan na pres sure you, (Dm7)ba by.
But (F)all I ev er want ed to (Gm7)do:
I wan na be your lov er.
I wan na be the (Ebmaj9)on (Bb)ly (Ebmaj9)one that makes you come run nin’.
I (Eb69)wan na be (F6)your lov er.
I wan na turn you (Ebmaj9)on, turn you out.
All (Gm7)night long, make you shout.
(Eb69)Oh, (Ebmaj9)lov er.
I wan na be the (Ebmaj9)on (Bb)ly (Ebmaj9)one you come for.
I wan na be your broth er.
I wan na be your (Ebmaj9)moth (Bb)er (Ebmaj9)and your sis ter, too.
(Eb69)There ain’t (F6)no oth er
that can do but the (Ebmaj9)things (Bb)that (Ebmaj9)I’ll to do to you.
And (Eb69)I get (F6)dis cour aged,
’cause you (Ebmaj9)treat (Bb)me (Ebmaj9)just you like a child.
(Eb69)They say (F6)I’m (Ebmaj9)so shy.
by.
But with (Ebmaj9)you (Bb)I’ll (Ebmaj9)just go wild.
I did n’t wan na pres sure you, (Dm7)ba by.
But (F)all I ev er want ed to (Gm7)do:
I wan na be your lov er.
I wan na be the (Ebmaj9)on (Bb)ly (Ebmaj9)one that makes you come run nin’.
I (Eb69)wan na be (F6)your lov er.
I wan na turn you (Ebmaj9)on, turn you out.
All (Gm7)night long, make you shout.
(Eb69)Oh, (Ebmaj9)lov er.
I wan na be the (Ebmaj9)on (Bb)ly (Ebmaj9)one you come for.
I wan na be your
This page shows “I Wanna Be Your Lover” by Prince in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Eb at 116 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a great way to build fluency with extended chords in the key of Eb — you'll move through Ebmaj7, Ebmaj9, and Eb6 voicings that share common tones, so keep your fingers anchored on the notes that don't change and just shift what needs to move. Your left hand drives a steady octave bass pattern, which at 116 BPM feels relaxed but demands consistency; lock that in hands-separate first so it becomes automatic. The trickiest transitions are moving between Gm7 and Dm7 and then landing cleanly on the F or F6 — practice that cluster in a slow loop until the shape is in your hand, not just your eyes. Watch for the subtle funk syncopation in the right hand; it's tempting to straighten the rhythm out, but the groove lives in those offbeats, so count eighth notes aloud if you need to. Once the chord moves feel smooth, this song will genuinely solidify your comfort with major seventh and sixth voicings — shapes you'll use constantly from here on out.