(Bsus)So messed up y I (E5)want you here.
(Bsus)In my room y I (E5)want you here.
(Em)Now weβre (Bsus)gon na be face to face
and Iβll (Em)lay right (Bsus)down in my (E5)fav or ite place.
(Em)Now I (Bsus)want to be your (E5)dog,
(Em)now I (Bsus)want to be your (E5)dog, and (Em)now I (Bsus)want to be your (E5)dog.
Well, come on.
(Bsus)Now Iβm read y to (E5)close my eyes.
(Bsus)Now Iβm read y to (E5)close my mind.
(Em)Now Iβm (Bsus)read y to feel your hand
and and (Em)lose my (Bsus)heart on the (E5)burn ing ite sands.
(Em)Now I (Bsus)want to be your (E5)dog,
(Em)now I (Bsus)want to be your (E5)dog, and (Em)now I (Bsus)want to be your (E5)dog.
Well, come on.
This page shows βI Wanna Be Your Dogβ by The Stooges in our color-coded kid songbook view β every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of G at 122 BPM, a medium-difficulty arrangement β try slowing the tempo down using the BPM control.
This arrangement is a great workout for locking your hands into a driving, repetitive groove without losing focus. Your left hand holds down a pedal bass pattern β essentially anchoring on one note while your right hand punches through a set of power chords and a couple of sus voicings like Bsus4 and Esus2. Power chords are just root-and-fifth shapes, so the hand position stays compact, but at 122 BPM you need clean, snappy transitions β especially moving between Gpow, F#pow, and Epow in quick succession, where that half-step shift from G down to F# can trip you up if your fingers aren't already hovering. Start hands-separate and slower, maybe around 90 BPM, and loop the main riff section until the chord changes feel automatic. The most common stumble is rushing the sus chords because they feel unfamiliar next to all those power shapes β give them equal rhythmic weight. Nail this one and you'll build real confidence keeping a steady, energetic pulse with minimal hand movement, which is the foundation of every rock-style keyboard part you'll play going forward.