I put a (Em)spell on you,
be cause you’re (Em)mine.
You bet ter (Am)stop the thing that you’re do ing.
I said a watch out, I ain’t (B7)ly in’.
Yeah!
I ain’t gon na take none of your
fool ing a round.
I ain’t gon na take none of your
put ting me down.
I put a (Em)spell on you,
be cause you’re (Em)mine.
Whoa whoa, (Am)al right!
(Em)spell on you,
be cause you’re (Em)mine.
You bet ter (Am)stop the thing that you’re do ing.
I said a watch out, I ain’t (B7)ly in’.
Yeah!
I ain’t gon na take none of your
fool ing a round.
I ain’t gon na take none of your
put ting me down.
I put a (Em)spell on you,
be cause you’re (Em)mine.
Whoa whoa, (Am)al right!
I put a (Em)spell on you,
be cause you’re (Em)mine.
You bet ter (Am)stop the thing that you’re do ing.
I said a watch out, I ain’t (B7)ly in’.
Yeah!
I ain’t gon na take none of your
fool ing a round.
I ain’t gon na take none of your
put ting me down.
I put a (Em)spell on you,
be cause you’re (Em)mine.
Whoa whoa, (Am)al right!
I put a
This page shows “I Put A Spell On You” by Creedence Clearwater Revival in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of E at 120 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a great workout for navigating a wide chord palette — eight chords means your left hand rarely stays in one position for long, so start hands-separate and really map out those transitions before combining. Pay special attention to the move into Fmaj7; it's the most colorful shape here, and rushing into it usually causes a stumble. Let your thumb find that E on top cleanly before your other fingers settle. The B7 is another one to isolate — make sure that D♯ speaks clearly, because it drives the tension back toward Em. At 120 BPM the tempo is steady but pushy, so practice the full progression at around 85 BPM first and only speed up once your chord changes feel automatic, not reactive. Loop any four-bar section that trips you up at least ten times before moving on. Rock feel here means keeping your rhythm confident and slightly heavy on the downbeats — don't let it turn floaty. This is the kind of song that genuinely builds your confidence with chromatic chord moves and quick position shifts, skills that'll pay off in almost everything you play next.