(C)Each time the wind blows I I hear your voice, so I call your name.
When (C)Whis pers at morn ing.
At Our love is dawn ing.
(C13sus)Heav en’s glad you came.
You (Fmaj9)know how I feel.
This thing can’t go wrong.
(Fm)I’m so proud to say I love you.
Your (Bb9sus)love’s got me high.
I long to get by.
(Ebmaj9)This time is for ev er.
(G9sus)Love is the an swer.
(C)I hear your voice now.
I You are my choice now.
The love you bring!
When (C)Heav en’s in my heart.
At your call I hear harps, (C13sus)Heav and an gels sing.
You (Fmaj9)know how I feel.
This thing can’t go wrong.
(Fm)I can’t live my life with out you.
I (Bb9sus)just can’t hold on.
I feel we be long.
(Ebmaj9)This time is for ev er.
(G9sus)Love is the an swer.
(Ebmaj9)My life ain’t worth liv ing if (G9sus)I can’t be with you.
I just can’t stop lov ing (C)you.
I just can’t stop lov ing (C)you.
And if I (Dm)stop, then (Fm7)tell me, just (Ebmaj7)what will I (G13sus)do?
’Cause I just can’t stop lov ing you.
At
I just can’t stop lov ing you.
We can (Ab)change all the world to (Ebmaj7)mor row.
We can (Cb)sing songs of yes ter (Gbmaj9)day.
I can (Cb9sus)say, hey, fare well to (Fbmaj7)sor row.
This is my (Abm7)life, and I want to (Gb)see you for (Db7)al ways.
I just can’t stop lov ing (Db)you.
I just can’t stop lov ing (Db)you.
And if I (Ebm)stop, then (Gbm7)tell me, just (Fbmaj7)what will I (Ab13sus)do?
I just can’t stop lov ing (Db)you.
I just can’t stop lov ing (Db)you.
And if I (Ebm)stop, then (Gbm7)tell me, just (Fbmaj7)what will I (Ab13sus)do?
’Cause I just can’t stop lov ing you.
This page shows “I Just Can't Stop Loving You” by Michael Jackson in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of C at 104 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement will stretch your chord vocabulary in the best way — you're dealing with nearly thirty chords, many of them extended voicings like Ebmaj9, Fmaj9, and Gm9, so get comfortable placing your fingers on those jazzy shapes before you try to play at tempo. Your left hand holds a pedal bass pattern, which keeps things grounded, but the real challenge is your right hand navigating quick transitions between flat-key clusters — moving from Fm7 to Gbmaj9 to Abm7, for example, demands that you visualize the next shape while still holding the current one. Start hands-separate at around 70 BPM, and loop any four-bar phrase where the chord density spikes. Watch for the dominant-to-suspended moves like Gdom to Csus4; rushing those kills the romantic feel. Use sustain pedal generously but change it with each new bass note to avoid mud. This is the piece that will make extended chords feel like home under your hands.