I can think feel of the young er days when (Emaj7)liv ing for my life
was (F#m7)ev βry thing a man could want to (E)do.
(G#)I could nev er see to (C#m)mor
row,
but (F#)I was nev er told
a (B)bout
the sor row.
(Bsus)And
(Emaj7)how can you mend
a bro ken heart?
(F#m7)How can you stop the rain from fall ing down?
(A)How can you (B)stop
the sun from (B)shin ing?
What makes the (B)world go (E)βround?
(Emaj7)How can you mend
this bro ken man?
How can a los er ev er win?
Please (A)help
me (B)mend
my (A)bro
ken (B)heart
and let me (B)live
a (E)gain.
I can think feel of the breeze er days that (Emaj7)rus tles through the trees
and (F#m7)mist y mem o ries of days gone (E)by.
(G#)We could nev er see to (C#m)mor
row;
but (F#)no one said a word
a (B)bout
the sor row.
(Bsus)And
(Emaj7)how can you mend
a bro ken heart?
(F#m7)How can you stop the rain from fall ing down?
(A)How can you (B)stop
the sun from (B)shin ing?
What makes the (B)world go (E)βround?
(Emaj7)How can you mend
this bro ken man?
How can a los er ev er win?
Please (A)help
me (B)mend
my (A)bro
ken (B)heart
and let me (B)live
a (E)gain.
(E)gain.
This page shows βHow Can You Mend A Broken Heartβ by Bee Gees in our color-coded kid songbook view β every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of E at 72 BPM, a medium-difficulty arrangement β try slowing the tempo down using the BPM control.
This arrangement is a great way to develop your chord vocabulary in the key of E, and that pedal bass pattern in your left hand is your anchor β keep it steady and smooth while your right hand handles the melodic line above. At 72 BPM you have breathing room, but don't let that fool you; the real challenge is navigating nine distinct chord shapes cleanly, especially the Bsus4 to B resolution and the shift from Emaj7 into C#m. Practice those two transitions hands-separate first, looping them until the fingering feels automatic. Watch your right hand during the vocal-melodic phrases β they'll want to rush ahead of the beat, so count internally and let the sadness in the melody breathe. Your F#m7 shape may feel awkward at first; drill it in isolation until you can land it without looking down. This is the piece that'll make jazzy seventh chords and sus voicings feel like second nature in your playing.