(Dm)Tried
(C)to (F)keep
(F)you (Bb)close
(F)to me
(F)but (Bb)life
(F)got in be tween.
the sky.
But (Dm)Tried
(C)to (F)square
(F)not (Bb)be
(F)ing there
(F)but (Bb)think
(F)that I are should have been.
Hold back the riv er, let me look in your eyes.
Hold back the riv er so I
can stop for a min ute and see where you hide.
Hold back the riv er, hold back.
Hold back the riv er, let me look in your eyes.
Hold back the riv er so I
can stop for a min ute and see where you hide.
Hold back the riv er, hold back.
Hold back the riv er, let me look in your eyes.
Hold back the riv er so I
can stop for a min ute and see where you hide.
Hold back the riv er, hold back.
Hold back.
(Dm)Oh,
(C)oh, (F)oh,
(F)oh, (Bb)oh.
(F)Oh, (Bb)oh,
oh.
(F)Lone ly wa ter,
lone ly wa ter, wonβt you (Bb)let us wan der,
(Gm)let us hold each oth er?
(F)Lone ly wa ter,
lone ly wa ter, wonβt you (Bb)let us wan der,
(Gm)let us hold each oth er?
Hold back the riv er, let me look in your eyes.
Hold back the riv er so I
can stop for a min ute and be by your side.
Hold back the riv er, hold back.
Hold back the riv er, let me look in your eyes.
Hold back the riv er so I
can stop for a min ute and be by your side.
Hold back the riv er, hold back.
Hold back the riv er, hold.
(F)Lone ly wa ter,
lone ly wa ter, wonβt you (Bb)let us wan der,
(Gm)let us hold each oth er?
(F)Lone ly wa ter,
lone ly wa ter, wonβt you (Bb)let us wan der,
(Gm)let us hold each oth er?
(Gm)let us hold each oth er?
This page shows βHold Back The Riverβ by James Bay in our color-coded kid songbook view β every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Bb at 120 BPM, a comfortable easy-level arrangement perfect for first-time learners.
This arrangement is a great way to build confidence playing in Bβ major, a key many beginners shy away from but one that feels wonderfully warm once it's under your fingers. Your left hand holds a steady pedal bass throughout, so start there β lock in that consistent, even rhythm before adding anything on top. Your right hand cycles through familiar chord shapes like Dm, F, and Gm, but watch the Csus4-to-C resolution carefully; that suspended fourth wants to ring just a beat longer than you'd expect, and rushing it flattens the song's melancholic pull. At 120 BPM the tempo is moderate, but the Bβ-to-Gm transition can trip you up if your thumb isn't already drifting into position. Practice that two-chord shift slowly, hands separate, until it feels automatic. Once you're comfortable, loop the chorus a few times and focus on keeping your left-hand pedal rock-steady underneath the chord changes β that independence between hands is the real skill this song builds, and it'll pay off in everything you play next.